Great April News: Publication of "It's the Kind of Thing" 🎊

Cotton-candy-colored blossoms and publication: sweet treats of April

So pleased to share that my nature poem. “It’s the Kind of Thing,” has been published in the current, April issue of The Bluebird Word.

Here are the opening lines, and clickety click to read the rest. Also, check out the work of the marvelous, talented fellow writers in the issue, including dear friend Antonia Albany’s wonderful Spent Water Balloons.

To this continued writing life! ✍️

“It’s the Kind of Thing”

if I wrote it you might
not believe me, but I’ll
write it anyway.

For a second, I mistook
riffs of an electric guitar
on the radio
of a passing car

for a stray cat or kitten
and looked up
from my book
for a tail and a lean cat needing care.

Read the rest and the entire issue at: The Bluebird Word.

Poetry Publication This Month and More Forthcoming! 🥳

Splendid news! This month, I have poetry at both Flowers of the Field and New Contexts 8: An Anthology Check out these brief excerpts of a poem from each literary magazine and then hop on over to the literary-magazine websites to read the rest and the excellent pieces by talented writers in each issue.

Excerpt from Flowers of the Field:

“All the Women Who Write Letters in Oil Paintings”

by Vermeer and other Dutch masters

call out to me today. I know what the internet

says about symbolizing interiority and love, but

what I see most when I see their pensive faces, the lull

of the lemon light splashing in from a window their desks

face, their fountain pens poised above

pristine paper with wax and seals surrounding, at ready,

probably not what the painters wanted me to notice:

uninterrupted time…

Excerpt from New Contexts 8: An Anthology:

“For my nieces, 13 and almost 11, as they embark on learning the potter’s wheel”

I always wanted to sit where you will soon sit.

The closest I came at your age was

making pinch pots—tidy, slightly lop-

sided, shallow dishes we in regular art period

glazed with our brushes, dunking into plastic jars of glaze,

after an afternoon at a nicked wooden group table.

I recall pushing the pads of my thumbs

against the damp, cool clay, trying to stretch it out,

then pressing it smooth into a thinning barrier to air…

I have some other pieces that will be published in two additional journals this spring. Stay tuned, and write on! ✍️

Photo courtesy of Photo by Patti Black on Unsplash.

My Article Published: "Finding Your Fiction Draft’s Best Beginning" 🎊

Thrilled that my article, “Finding Your Fiction Draft’s Best Beginning,” was published today at Women on Writing. Read the article below, and take the exercise for a spin.

Also check out this link to my new online class, FROM BETTER TO BEST: Writing Fictional Beginnings that Hook Readers, that begins Friday, January 24th. 😊

Without further ado: ta-da! 🎊

“Finding Your Fiction Draft’s Best Beginning”

By: Melanie Faith

 Here are three things that share a commonality: home renovation, finding a supportive life or business partner, earning a degree. What’s their similarity? 

While you think about it, let’s ponder our attention spans, which have grown quite a bit shorter in recent years. Think about how quickly we move onto the next book, song on streaming, or post on social media if it doesn’t grab our attention and hold it. Add to that the fact that publishers receive thousands of manuscripts a year, all vying for attention, and it’s pretty staggering.  

So, what do our initial three examples have in common? They all require a big time investment (often much longer than anticipated) and tend to test our patience at various steps until we reach our goal. If there are consistent through lines in life, it is that most of our efforts require regrouping, refining, and numerous revisions.

With so much streaming content and instant entertainment available and so few minutes of free time each day, it’s even more important than ever that we writers intrigue our readers from the start or else there’s a world of other options they’ll choose from. Gone are the days of the slow-burn build-up of a few pages. While it takes more time and effort to rewrite opening pages, it’s well worth it to hook our readers.

What should we do to ensure that our beginnings make a positive, have-to-keep-reading-this impact?

·         Bring in the Buddies: Have you looked so often at your draft that your brain is tired? Or are you moderately sure your opening is fine, but then again… An external reader can be invaluable, either way. Props if they are another author, but they don’t have to be. Give your first pages/chapter to willing friends or colleagues and ask what one passage they liked best; this is the element that should front-end your next draft.  Feel free to get the opinion of another reader or two, but don’t ask so many readers that you get numerous conflicting opinions, which can be confusing. In my own experience, asking between one and three readers is a sweet spot to get the perfect amount of feedback on whether my current opening works well. If your readers are also writers, make sure to return the favor for them sometime. Another option: send just the first page and have them note what they think is the most interesting or important line. This really zeroes in on whether the current opening lines flop or fly.   

·         Heed the Hunch: You know that line that made you smile when you wrote it? That line that sort of shimmered from the page or made you stop and feel surprised?  That little jolt of wow or that little tickle of hmmm is your inner writer letting you know that something impactful has just landed on the page. If that passage is already on your first page, great! Leave it there. But if it’s not, what if you moved it forward? I’ve often moved favorite lines forward and then either cut out the original opening and written transitions to the latter parts of the chapter or merged the original opening into other parts of the manuscript. Either method can work well, depending on the story’s needs and your own preferred editing methods.

·         Skip Ahead: Newsflash: your first chapter doesn’t have to be your first chapter. Let me rephrase that: the chapter that’s currently first may actually not be the best final-draft opener. Instead, a second, third, or even later chapter might hold a more compelling way to open your narrative. Feel free to move a scene or a whole chapter forward.

Try this exercise! Reread your draft’s current opening page or two and answer these questions (or ask a friend) to see if you might have a better opening that’s currently much later in your draft:

·         Is there action in the opening scene?  

·         Is there immediate conflict for the protagonist to struggles against?

·         Is it clear from the first page or two who is telling this story?

·         Is the protagonist compelling in this first chapter?

If the answer to any of these questions is “not really” or “not as much as there could be,” then it’s likely you have a faster-paced, more absorbing opening scene that you could move forward. Remember that editors, agents, and readers need your opening hook to grab their attention on page one or else they could stop reading. Sharpen the imagery, characterization, dialogue, or setting that will keep those pages turning.

Photo courtesy of Eilis Garvey and Unsplash.com.

My Poem Published in Dulcet! 🦄

Thrilled to announce that my poem. “Legacy,” was published today in Dulcet! My poem is on page 44. The theme is “Moonglades: A Reflective Issue.”

It’s also a great joy to be publication twins with my talented friend, Terri McCord; check out her amazing poem, “the world turns pointillist,” on page 21!

Dulcet is open for submissions. Check out their theme calls and submission guidelines at: clickety-click.

Photo courtesy of Camille Brodard at Unsplash.com.

My Craft Article Published Today: "Build Better Beginnings: from Throat-Clearing to Motor-Running Fiction!" 🎃

Splendid news! I’m excited that my craft article, “Build Better Beginnings: from Throat-Clearing to Motor-Running Fiction,” was published today as part of the WOW! Women on Writing Market Newsletter.

Also, check out the amazing interview with Paula Munier (by Donna Judith Essner), the literary markets actively seeking submissions of writing, and so many more literary resources to spark your writing.

I also had the chance to contribute two seasonal photos to the article, including this one.

Here’s a fun excerpt. “First drafts of narratives frequently gain momentum a few pages or a chapter in, but readers must be entertained from the start or else they don’t continue reading. Let’s take a few looks at some splendid, sure-fire ideas for building beginnings that reel in readers.

• Don’t hold off. Want, want, want, immediately! Unmet desires and needs give the protagonist something to act on and to react against from the get-go. Instead of leading up slowly to the protagonist’s struggle, show the character already struggling in the first scene. Even better if they struggle from the first page.

• Limit your number of characters in the first pages. A deeper dive into one character—rather than a slower, cocktail-party-style, round-robin introduction—gives your readers a chance to shadow your protagonist and to feel firmly situated into their life and limitations before meeting the entire cast of characters. It’s great to introduce the antagonist early, though, as pushback motivates the protagonist’s need to act.“

Read the rest at: the WOW! Market Newsletter. 🎃

2 of My Poems Published in October Hill Magazine's Fall Issue: Volume 8, Issue 3! 🥳

Photos by yours truly. 🤗

Splendid news to share: two of my poems, “Yellow,” and “Listening to a Grandfather-Clock ASMR Recording after Reading a Short Poem by Lorine Niedecker” were just published in the latest issue of October Hill Magazine!

Check out the opening lines of “Yellow” below, and clickey-click on this link to read the two full poems at the issue, as well as the work of many talented fellow authors as well. Also, consider submitting your own work—they were wonderful to work with.

“Yellow”

today it feels exceptionally good

to use this yellow

marker, to draw it across

the lightly lined page,

just to run as heavy as possible a line

with the fine nib

pressed into the thinner gray line

to mark it off that I’ve already

answered early work emails, had

lunch, cleaned up after, organized

my desk, sorted through a stack of books

for donation, and it feels good, too,

to hover in the air above the page

to think about drawing a sun with wavy rays,

the petals of a sprightly daisy, a compact car

negotiating a curvy road, but then…

[continued at October Hill Magazine: clicky]

⭐ My Narrative Poetry Article Published at Women on Writing's Craft Corner! ⭐

Super excited that my article about narrative poetry was published at Women on Writing today in the Craft Corner. 🪻🥳

I had a blast talking about this meaningful type of poetry as well as my own writing practice, and I packed it with tips for writers exploring this exciting form of verse!

Signed copies of Does It Look Like Her? available at my Etsy store: clickety-click. Also, available (unsigned) through Amazon: clickety-click.

Also, If you, your friends, or your students or writing group are interested in learning more about writing poetry, I have a lot more writing advice and fun prompts for poets in my Vine Leaves Press book, Poetry Power (scroll to the second book on the page for links to Poetry Power ) ! Check it out: Poetry Power: clickety click and at Amazon:clickety-click.

"Four Tips for Mixing Music into Your Fiction" 🎶🎹

Super excited that my craft article was published in Women on Writing’s newsletter today. Read on to learn some tips for integrating music into your prose as well as a prompt to give a whirl. 😊🎼

“Four Tips for Mixing Music into Your Fiction”

By: Melanie Faith

Music plays in so many milestone moments in our lives: from proms and graduations to weddings, anniversaries or divorces, first dates or last dates, funerals, reunions, and many other ceremonies. Music (or variations of it) may even be playing in an elevator near you on the way to the job interview you’re hoping to ace or to a doctor’s appointment you don’t want.

We don’t need to wait until milestone moments to savor sound, however, as songs suffuse everyday life as well. I listen to music numerous times a day, from a streaming speaker, from my laptop, on the radio in the car or in the kitchen, on TV or episodes of shows online, even on records, tapes, or CDs in my players now and again.  The importance of music doesn’t end with youth, but keeps giving back throughout our lives.

Music is often an important facet in fiction, too. Let’s delve into some wonderful ways that we writers can weave music into our plots, characters, and more!

Layer references to the same or similar song(s) or artist(s) within the same work. The context can be different for each listener/character. Your protagonist might listen to Nirvana’s “Smells Like Teen Spirit” as a high-school student in 1991 when it was released and have one experience while your protagonist’s twenty-something daughter might listen to the same song in 2024 and have entirely different reflections as she remembers that her dad always played the song while making breakfast during her preschool years.  Music is reminiscent of the era it was made, but it’s also timeless. Music can connect one generation to another, or divide one generation or listener from another.

Braid musical and nonmusical events within the same story to shed light on both elements of the story. If your protagonist is a second-chair violinist in the community orchestra, you might include not only the conflicts involved with her determination to move up to first chair this year, but also another element of her private life (from her day job and coworkers to her relationship with her love or her friends or her frenemies) to develop her character both on the stage as she practices and performs as well as offstage in her personal life.  Another idea: even characters who aren’t musicians or singers frequently jam when at a party or alone in a room or a car when a favorite song comes on. What song will get your protagonist’s toes tapping (or busting out the lyrics into a pencil or hairbrush or karaoke microphone, as the case may be)?  

Consider a melodic medley. Shake it up with intention. Many listeners enjoy several genres of music. Musical allusions can denote mood and tone as well as conflict within the plot or within your protagonist or antagonist. References to particular album titles or songs may even be used to foreshadow events later in the tale or become titles for chapters. 

Use poetic and precise language. Just as songs have rhythm and lyricism, you can pay particular attention to diction choices to develop music descriptions.  Onomatopoeia/sound effects might mimic the high-pitched tweet-tweet of a piccolo or flute, the mournful twang of a mandolin or guitar string, or the zingy ping of a hi-hat cymbal.  Consider using words with softer sounds, such as sibilant /s/ and quiet /m/ and /n/, for descriptions of acoustic performances and words with stronger, louder sounds, like the staccato and punchy /t/, /d/, /b/, /k/, and /z/ for summer rock concerts or heavy metal.

Whether your protagonist is a musician, a fan of a particular singer or band, or not, you can use these tips to integrate music—whether center stage, backstage, or as background—into scenes and character development to deepen your writing. You can even weave more than one of the tips within the same scene or chapter. Rock on!

Try this exercise:

Take a scene you’ve written recently with your protagonist during a time of strong emotion, such as doubt or great joy. Jot a list of three or four songs that mirror the emotional intensity the character is experiencing. Pick one to drop into the scene in a sentence or two to make it the soundtrack of the scene. What resonance does this reference add to the character, setting, or plot? Add extra dialogue or narration around this reference if the muse so moves you.   

 Want to learn more? I’d love to have you in my February class. Clickety-click to learn more and sign up! 🎸

My Silhouette Portrait Published in Suspended Magazine & Giveaway Reminder 📸🥳

Very pleased to have one of my photos, “Open Space Silhouette Portrait,” published in the current issue of Suspended Magazine. Check out the issue, and consider submitting poems, art, or short fiction to this amazing literary magazine: details here.

More insights from the magazine about my photo: “I’m interested in the numerous exciting permutations portraiture and self-portraiture can take. From precise likenesses to figures that could be a stand-in for almost any character or human form, the possibilities when documenting the self and others are encouraging for photographers who wish to explore. I took this self-portrait using a Nikon 35 mm DSLR, creating a window reflection and then playing with filters that introduced light leaks that offered a compelling interplay between buoyant, yellow warmth and movement against deep, calm shadows of introspection and stillness. I’m intrigued by how the finished photo suggests both anchoring and spaciousness.”

***

Also, just a reminder that Women on Writing’s Thankful for Books Giveaway runs up to November 20th! 🍂📚

Copies of my book, From Promising to Published , will be part of the prize packages for three lucky winners.

Read more and enter the contest at: Thankful for Books Giveaway!

My Photography Chosen for J. Mane Gallery's Juried Exhibition: "Eat" 📸

I’m so pleased that 5 of my photos were chosen as part of J. Mane Gallery’s latest juried exhibition. The theme is “Eat.” Among them are these 2 photos that were so fun to take and make. 📸😊

See my other 3 photos and all of the amazing art by talented artists at: J. Mane Gallery “Eat” Exhibition.

If you’re in the market for an awesome online writing class, check out my similarly themed Food Writing for Fun and Profit (starting Friday, October 6th).

To art and food!