My Article Published: "5 Fabulous Perks of Freelance Editing" 🥳

So excited that my article about the perks of freelance editing was published at The Muffin. 🥳

My webinar on this topic this Friday, April 12th is also sure to share even more perks to freelancing. To learn more: clickety-click! ✍️

My article:

Do you love to read? Have you participated in a writing workshop or beta read for a friend? Or taken a creative writing class to learn the building blocks of prose and poetry? Have you offered suggestions for a friend’s essay or creative piece? Are you a creative writer? Are you a fan of precise or beautiful language? Do you love talking about the writing and revision processes? Do you enjoy discovering an individual author’s voice and offering encouragement?

If the answer to any of these questions is yes, freelance editing may very well be a wonderful fit for your natural skills, bring enjoyment, and offer some spending money or a helpful additional income to your household while doing something you already love—communicating and developing fun-to-read, page-turning literature for fellow readers.

Let’s look at just a few of the many perks of becoming a freelance editor. 

1. One of the best parts of freelancing is working directly with a motivated writer who is open to suggestions for making their manuscript clearer and more gripping to readers. We all know how hard it can be to spot errors or inconsistencies in one’s own writing, and as a freelance editor you get the privilege of offering feedback that the author may be too close to the manuscript to notice while self-editing. You work as a team to sculpt the work to optimal length, genre specifications, literary devices, pacing, character and/or plot development, and so much more.

2. You also will likely expand your network and build a bond or a friendship with authors whose manuscript you have the chance to review. It’s a sacred, meaningful honor to be entrusted with a writer’s work, and while bringing out the best in the writing, editors and writers work towards the same goals. Once you have offered supportive, clear feedback to an author on one project, they often return when they have other manuscripts they’d like constructive, helpful suggestions on in the future.

3. Freelance editors have freedom of time and freedom of project-choice. Freelancers set up a schedule and a deadline that mutually work for both writer and editor. Freelance editors also enjoy the freedom to pick the kinds of projects and the genres of writing that most excite us. Do you love reading thrillers and fantasy but dislike mysteries and dystopian work? As a freelancer, you can pick and choose the projects that you feel most excited to offer feedback on and that most inspire you.

4. Most freelance editors begin their small businesses as part-timers, so whether you are working another job, serving as a caregiver, raising a family, running another small business, or juggling multiple life stages and vocations, freelancing offers the flexibility to work from home or a café or shared office space at times that work best for you, your schedule, and your life circumstances. I’ve worked with freelance editors and students of all ages—from their twenties through their retirees—who start editing, and these editors have found that freelance editing fits into their lives around other life events and responsibilities with a little organization and planning.

5. You can work with clients from your local neighborhood or from all around the world at a time that is best for you and your clients’ needs.

Clearly, freelance editing offers countless perks and the satisfaction of adding quality, entertaining, meaningful books to the literary landscape. If you have any interest at all in this exciting, flexible field, it’s well-worth looking into and giving it a whirl. 

Image courtesy of WOW! Women on Writing

Interested in Freelance Editing? Join my April 12th Webinar! 🎊

Great news! I’ll be giving a webinar through WOW! Women on Writing on Friday, April 12th at 1 pm ET about life as a freelance editor.

More details at: An Insider’s Look at Launching as a Freelance Editor. Clickety click!

I’d love to have you and a friend attend and learn about this versatile, fun, meaningful profession. 😊👍

Image courtesy of Women on Writing

"Four Tips for Mixing Music into Your Fiction" 🎶🎹

Super excited that my craft article was published in Women on Writing’s newsletter today. Read on to learn some tips for integrating music into your prose as well as a prompt to give a whirl. 😊🎼

“Four Tips for Mixing Music into Your Fiction”

By: Melanie Faith

Music plays in so many milestone moments in our lives: from proms and graduations to weddings, anniversaries or divorces, first dates or last dates, funerals, reunions, and many other ceremonies. Music (or variations of it) may even be playing in an elevator near you on the way to the job interview you’re hoping to ace or to a doctor’s appointment you don’t want.

We don’t need to wait until milestone moments to savor sound, however, as songs suffuse everyday life as well. I listen to music numerous times a day, from a streaming speaker, from my laptop, on the radio in the car or in the kitchen, on TV or episodes of shows online, even on records, tapes, or CDs in my players now and again.  The importance of music doesn’t end with youth, but keeps giving back throughout our lives.

Music is often an important facet in fiction, too. Let’s delve into some wonderful ways that we writers can weave music into our plots, characters, and more!

Layer references to the same or similar song(s) or artist(s) within the same work. The context can be different for each listener/character. Your protagonist might listen to Nirvana’s “Smells Like Teen Spirit” as a high-school student in 1991 when it was released and have one experience while your protagonist’s twenty-something daughter might listen to the same song in 2024 and have entirely different reflections as she remembers that her dad always played the song while making breakfast during her preschool years.  Music is reminiscent of the era it was made, but it’s also timeless. Music can connect one generation to another, or divide one generation or listener from another.

Braid musical and nonmusical events within the same story to shed light on both elements of the story. If your protagonist is a second-chair violinist in the community orchestra, you might include not only the conflicts involved with her determination to move up to first chair this year, but also another element of her private life (from her day job and coworkers to her relationship with her love or her friends or her frenemies) to develop her character both on the stage as she practices and performs as well as offstage in her personal life.  Another idea: even characters who aren’t musicians or singers frequently jam when at a party or alone in a room or a car when a favorite song comes on. What song will get your protagonist’s toes tapping (or busting out the lyrics into a pencil or hairbrush or karaoke microphone, as the case may be)?  

Consider a melodic medley. Shake it up with intention. Many listeners enjoy several genres of music. Musical allusions can denote mood and tone as well as conflict within the plot or within your protagonist or antagonist. References to particular album titles or songs may even be used to foreshadow events later in the tale or become titles for chapters. 

Use poetic and precise language. Just as songs have rhythm and lyricism, you can pay particular attention to diction choices to develop music descriptions.  Onomatopoeia/sound effects might mimic the high-pitched tweet-tweet of a piccolo or flute, the mournful twang of a mandolin or guitar string, or the zingy ping of a hi-hat cymbal.  Consider using words with softer sounds, such as sibilant /s/ and quiet /m/ and /n/, for descriptions of acoustic performances and words with stronger, louder sounds, like the staccato and punchy /t/, /d/, /b/, /k/, and /z/ for summer rock concerts or heavy metal.

Whether your protagonist is a musician, a fan of a particular singer or band, or not, you can use these tips to integrate music—whether center stage, backstage, or as background—into scenes and character development to deepen your writing. You can even weave more than one of the tips within the same scene or chapter. Rock on!

Try this exercise:

Take a scene you’ve written recently with your protagonist during a time of strong emotion, such as doubt or great joy. Jot a list of three or four songs that mirror the emotional intensity the character is experiencing. Pick one to drop into the scene in a sentence or two to make it the soundtrack of the scene. What resonance does this reference add to the character, setting, or plot? Add extra dialogue or narration around this reference if the muse so moves you.   

 Want to learn more? I’d love to have you in my February class. Clickety-click to learn more and sign up! 🎸

🍂Enter the Thankful for Books Giveaway 🍂

Super excited to participate in Women on Writing’s Thankful for Books Giveaway, starting today and running up to November 20th! 🍂📚

Copies of my book, From Promising to Published , will be part of the prize packages for three lucky winners.

Read more and enter the contest at: Thankful for Books Giveaway!

Good luck, and happy reading! 🍁📔

My Photography Chosen for J. Mane Gallery's Juried Exhibition: "Eat" 📸

I’m so pleased that 5 of my photos were chosen as part of J. Mane Gallery’s latest juried exhibition. The theme is “Eat.” Among them are these 2 photos that were so fun to take and make. 📸😊

See my other 3 photos and all of the amazing art by talented artists at: J. Mane Gallery “Eat” Exhibition.

If you’re in the market for an awesome online writing class, check out my similarly themed Food Writing for Fun and Profit (starting Friday, October 6th).

To art and food!

"Four Reasons Food Can Spice Any Genres You Write" 🍝

Wonderful news! 🥳My article was published by Women on Writing today! Check it out, and then give the writing prompt a whirl. 📝

Four Reasons Food Can Spice Any Genres You Write

By: Melanie Faith

Photo by Mae Mu on Unsplash.

It’s just about autumn in the US, which is an important weather shift in the seasonal states. Humidity dissolves as leaves turn into a crayon-box bonanza of shades while it remains sunny, bright, and crisp enough for a walk in a cozy, knit sweater and a mug of steamy tea after.  Another signal of the time shift is the shortening of days and the lengthening of my appetite.

While I enjoy eating all year ‘round, there’s something special about the chill in the air and the darkening of the evenings that increases my appreciation for sweet and savory flavors. Bring on the ooey-gooey cakes and breads, the creamy mac and cheese, the hearty, saucy spaghetti Bolognese!

No matter the season, the rituals of eating; snacking; food buying, storage, and preparation; meal clean-up; and food sharing surround our days and can be integrated into our writing to enrich our work.  Let’s look at four reasons why adding food writing to our repertoire can deepen our writing:

Food connects us: Nothing reminds us more of our communities and the cultures we belong to than food.  References to the recipes, meals, and snacks your protagonist grew up eating and still makes can provide shorthand for so many parts of your character’s background and life, including but not limited to her family of origin’s geography, socioeconomic status, and more. Certain foods will instantly be connected in readers’ minds with a particular state, region, cultural heritage, or country, while other foods and beverages are universal to many communities—which will give your readers other insights into how your unique character fits into a larger trend or social sphere or, conversely, how they might rebel against it.  Including meals or restaurant scenes can also demonstrate how your character interacts with others, what she feels comfortable saying or not saying, what she wants to share in public compared to her private thoughts, and so much more.

Speaking of which, food can create both bonds and tensions:  If one of your characters loves attending a weekly potluck she organizes and hosts once a month while another character lives for a quiet dinner for one at home to get away from the stresses of his day job and rejuvenates with the radio on while preparing couscous and a salad, you’ve already set up a way to show (rather than tell) extroversion and introversion. You’ve also set up a scenario where their differing styles could create conflict if these characters become friends, coworkers, family, or romantic partners. Characters can react strongly, or they might have inner hopes or misgivings about what is being served, about their dining companions, or about where the dining takes place. 

Food is also often connected with larger social issues that deeply impact many people both locally and globally—such as food instability, hunger, and ever-rising grocery prices—that you can shine a light on within your writing in nonfiction, poetry, flash, novels, and many other genres.

Photo by Atie Nabat on Unsplash

Favorites and aversions make us each unique. Including small details about what your character loves and loathes eating can strengthen your characterizations. Just like all of us, characters can have detested foods show up in their lives and have to navigate their distaste quietly or verbally, or they can absolutely love quirky regional favorites that their friends and family can’t stand or refuse to try. Conversely, we all love to share our favorites, and sometimes these favorite foods are eagerly adopted by those we love, spreading the joy. Writing that praises, describes, humorously disses, or delights in foods can connect with your audience’s own experiences of likes and dislikes.

Try this exercise!  If you write fiction: your antagonist has just invited your protagonist to dinner. Where will they go? What will they talk about? What is being served for dinner? If you write nonfiction, poetry, or other genres: jot a list of five of your favorite or least favorite foods. Pick one of the foods, set a timer for twenty minutes, and describe a time when you were served or served others this particular food. Use as many sensory details as possible to denote the food and reactions to it. Go!

 Care to learn more? I have a few spots left in my Food Writing class that begins Friday, October 6, and I’d love to have you and a friend join in the fun. Details at: Food Writing for Fun and Profit.

My Craft Article Published Today 🏊

Super excited to have this article published at Women on Writing today!

“5 Line Breaks to Inspire Your Poetry Writing”

By: Melanie Faith

I’ve been a practicing poet since I was 17. When I think back to the many styles of poetry I joyously tried in college and grad school and beyond, I marvel at how much my line breaks have changed and continue to evolve as I grow as a writer and with the needs of each successive project.

My first poems, handwritten on pale blue lined paper that I spent my weekly allowance to purchase at the local stationery store, had looping scrolls of lines across the pages, almost from margin to margin. By graduate school, while experimenting with haiku and tanka, the sparer I could make my lines the better. (I’m not a sparse-speaking person—surprise, surprise—so it was often a challenge.) Since then, my lines usually rest in the merry middle somewhere between languid, Whitmanesque flourishes and ultra-succinct compression.

Let’s take a closer look at line breaks and what they can mean to your own writing practice.

The Innate Break: This is what I call a line break that just feels right while drafting. Why’d you break the line there? You don’t know, and you’re not stopping to think about it right now. Your hand keeps the pen rolling or your fingertips typing while you focus solely on the words unspooling. You break the lines intuitively and only notice them later, when editing or writing another draft. There’s something to be said for letting the poem take the form it wants to take. A little like after learning to ride a bike—for the first draft or two it’s often not necessary to think consciously, “Should I break the line on this word or that one?”, just like you don’t think, “Right foot, make sure to pedal now. Okay, left foot, same deal. Pedal now.” There’s synchronous motion that happens in cycling and in drafting a poem. Letting that sensory flow go can lead our work to some great destinations.

The Emphasis Break:  Words that fall at the beginnings and endings of lines get extra emphasis for the eye and for the mind. End lines on thematic or precise word or phrase to emphasize key ideas. You can also take a poem that had innate breaks and, in the editing stage, make new line breaks on more precise images or diction choices.

 The Stanza Starter or Ender: Just like the opening and closing words in each line get a little extra attention from the reader, so do images or words that open and close a stanza. The stanza breaks, in fact, get even more emphasis due to white space. Whether while drafting or later editing our poetry, it can be a good idea to consider if the line you are breaking a stanza on is the best place to emphasize the poem’s theme or content. If not, consider breaking the stanza-breaking line at a new place.

The Form-Based Line Break: If you write poetry that has a set pattern or formal structure—such as a sonnet, villanelle, or terza rima—your line break will be based on a number of fun constraints, such as stressed and unstressed syllables, syllable count, and rhyme scheme. I have great respect for poets who find the constraints of pattern poetry motivating, although my poetic brain runs more to making my own line-break patterns. Neither style is inherently better or worse than another—they are both apt vessels for the poems you write. If you know that writing formal poems is your jam, I encourage you to try a few kinds of poems to experiment with the different end-line conventions each requires. If you usually write acrostics, try haiku. If you often write odes or limericks, try an Italian sonnet. If your last few poems were villanelles, try writing a sestina or a ballade.  There’s great variety in line breaks among formal verse that a poet could spend many years happily exploring.

The Variety Approach: Are you working on a chapbook or a poetry collection? Are you preparing a handful of poems (often three to five) to submit to a literary journal? In this case, it might be good to read the poems in relation to each other. Is there some variety in where and how you break your lines? Is each line separated at an optimal place and/or have you left some blank space somewhere on the page?  Also, sometimes placing poems with long lines next to poems with few lines and/or succinct lines can create a meaningful pattern for the reader and also inform any editing or new line breaks. You might also consider shuffling the order of your poems.

Use these line-break ideas as you draft, edit, or prepare submissions of your poetry. There’s no 100% right or wrong place to end a line and begin a new one, but with time, practice, and focus, and having these ideas in your pocket, you may well be surprised how quickly you up your poetry game. 

 Want to learn more? Check out my online poetry class that starts April 21st! Jump-Start Your Poetry Practice.✍️

My New Online Poetry Class 🎊

In the market for an online poetry class sure to get your pen moving? I’ve got you.

Sign-ups open for my Jump-Start Your Poetry Practice class that begins Friday, April 21st. I’d love to work with you and a friend. 😊👍

More info at: Jump-Start Your Poetry Practice class.

New Month, Continued Inspiration 🎆

Happy February!

I’m excited for all that this new month will bring, including my Leaping Worlds online creative writing class for historical-fiction and time-travel writers.

Begins Friday, February 10th. There are still a few spaces left, and I’d love to work with you and a friend. Details at: clickety-click.

Also, here’s a favorite and motivating Hafiz quote to enjoy.

To February, and sweet inspiration!

"Six Methods for Sparking Historical and Time-Travel Stories" 🎉

Super excited that my article was published today at Women on Writing! Check out my craft article below, and learn more about my online Leaping Worlds writing class on this topic that starts Friday, February 10 (sign-ups open!) at: clickety-click/class info!

“Six Methods for Sparking Historical and Time-Travel Stories”

By: Melanie Faith

One of many wonderful facets of writing stories set in the past is that initial aha when an idea lands. While that spark’s arrival can be unpredictable, there are tried-and-true ways that authors of historical fiction and time-travel books employ to discover inspiration that sends them running to their computers.

Let’s take a look at six of these methods.  Take one (or more!) for a spin today.  Glean inspiration from:

Online articles.  Many of my students have found their story ideas while reading either primary sources (first-hand accounts and/or articles written at the time of the events) or secondary sources (articles written in later time periods about historical eras). Most newspapers and colleges now have online databases and articles of literally thousands of letters and historical documents (such as birth, marriage, legal, and land-deed records) that can be perused for free or nearly free. If you take classes or teach, most universities subscribe to database services where you can find even more sources, but even a general online search outside of a school’s website can yield a field-day of resources on just about any historical figure, fact, epoch, or related historical topic you can imagine. Once you find an article of interest, you can then refine your search by typing the precise person, place, or event and filter articles, such as by year published/posted to narrow and focus your search. Have a notebook or word-processing document open for taking notes; always list the author and URL and/or bookmark your sources for handy return to this info for fact-checking later.

Photographs. Are you a visual person? Are you the kind of person who loves paging through old photo albums or yearbooks? Then this method is likely going to lead to stories aplenty for you. I remember visiting historical sites in elementary and high school and being fascinated by tintype photos as well as always being the partygoer magnetized by the photo albums on a nearby shelf. Perusing photos for what people wore, how they did their hair, how they assembled (or didn’t) as a group in photos, who was missing from the photos and why, who took center-stage in the photos, whether the shots were made in a formal studio or by a personal camera in the driveway before the prom, all of these aspects of photos intrigued me and created sense impressions and questions that could easily lead to great fiction. Photos are especially great for writing descriptions of indoor and outdoor settings as well as physical details for characters.

Questions we don’t know the answers to at the moment. This is one of my favorites. So often, I’ll stumble upon a document or a reference in a nonfiction book and several questions will pop into my mind about related ideas that didn’t (for good reason) make it into whatever I’m reading. I keep my writing notebook handy and jot down questions that arise from resources. Later on, these questions can lead to exploration into a character’s motivations and struggles that inform their actions and possibly whole scenes can result. A little bit like a magician’s colorful scarf—one question leads to another and another related question that can reveal images, dialogue, cultural references, and more to inspire writing.

Memories. What did you like to learn about most in history classes in school? Conversely, what did teachers never talk about that they should have or you wish they would have? Answering these questions could certainly help with setting and character development if/when you plunk your protagonist in the middle of the era you’ve always found fascinating.

Visits to museums or national parks. Almost every community around the world has hidden-gem museums about their town, region, or country with amazing historical resources for low-cost entrance and/or donations. Ditto for university and college archives that are open to the public, to alumni, and/or to the school community. Check websites or contact your local archivist or docents for hours or to email/text to arrange a visit. Want to walk through some history? National parks can be inspiring resources and a great way to take a break from the desk for the day. Take a camera and/or photos with your phone to remember specifics about landscape later. Bonus: jot some sensory impressions and notes while you’re there—details flit through our minds on-site that we are sure we’ll remember …and then don’t.

Reading.  Hello, libraries!  It doesn’t matter how many books there are about a topic or historical figure or era or time-travel element—there’s always room for more. When I want to write about a certain era, I’ll read through a few recent and/or long-ago books about the topic, to see what’s already been written and where there might be pockets of information missing or where fresh ideas for a different POV or character arise. Reading and leaving reviews for others’ books is also a great way to give back to the literary community while informing yourself and immersing yourself in a time period to inspire your own totally different but equally interesting historical book.