"Four Reasons Food Can Spice Any Genres You Write" 🍝

Wonderful news! 🥳My article was published by Women on Writing today! Check it out, and then give the writing prompt a whirl. 📝


Four Reasons Food Can Spice Any Genres You Write

By: Melanie Faith

 

Photo by Mae Mu on Unsplash.

It’s just about autumn in the US, which is an important weather shift in the seasonal states. Humidity dissolves as leaves turn into a crayon-box bonanza of shades while it remains sunny, bright, and crisp enough for a walk in a cozy, knit sweater and a mug of steamy tea after.  Another signal of the time shift is the shortening of days and the lengthening of my appetite.

 

While I enjoy eating all year ‘round, there’s something special about the chill in the air and the darkening of the evenings that increases my appreciation for sweet and savory flavors. Bring on the ooey-gooey cakes and breads, the creamy mac and cheese, the hearty, saucy spaghetti Bolognese!

 

No matter the season, the rituals of eating; snacking; food buying, storage, and preparation; meal clean-up; and food sharing surround our days and can be integrated into our writing to enrich our work.  Let’s look at four reasons why adding food writing to our repertoire can deepen our writing:

 

Food connects us: Nothing reminds us more of our communities and the cultures we belong to than food.  References to the recipes, meals, and snacks your protagonist grew up eating and still makes can provide shorthand for so many parts of your character’s background and life, including but not limited to her family of origin’s geography, socioeconomic status, and more. Certain foods will instantly be connected in readers’ minds with a particular state, region, cultural heritage, or country, while other foods and beverages are universal to many communities—which will give your readers other insights into how your unique character fits into a larger trend or social sphere or, conversely, how they might rebel against it.  Including meals or restaurant scenes can also demonstrate how your character interacts with others, what she feels comfortable saying or not saying, what she wants to share in public compared to her private thoughts, and so much more.

 

Speaking of which, food can create both bonds and tensions:  If one of your characters loves attending a weekly potluck she organizes and hosts once a month while another character lives for a quiet dinner for one at home to get away from the stresses of his day job and rejuvenates with the radio on while preparing couscous and a salad, you’ve already set up a way to show (rather than tell) extroversion and introversion. You’ve also set up a scenario where their differing styles could create conflict if these characters become friends, coworkers, family, or romantic partners. Characters can react strongly, or they might have inner hopes or misgivings about what is being served, about their dining companions, or about where the dining takes place. 

 

Food is also often connected with larger social issues that deeply impact many people both locally and globally—such as food instability, hunger, and ever-rising grocery prices—that you can shine a light on within your writing in nonfiction, poetry, flash, novels, and many other genres.

Photo by Atie Nabat on Unsplash

 

Favorites and aversions make us each unique. Including small details about what your character loves and loathes eating can strengthen your characterizations. Just like all of us, characters can have detested foods show up in their lives and have to navigate their distaste quietly or verbally, or they can absolutely love quirky regional favorites that their friends and family can’t stand or refuse to try. Conversely, we all love to share our favorites, and sometimes these favorite foods are eagerly adopted by those we love, spreading the joy. Writing that praises, describes, humorously disses, or delights in foods can connect with your audience’s own experiences of likes and dislikes.

 

Try this exercise!  If you write fiction: your antagonist has just invited your protagonist to dinner. Where will they go? What will they talk about? What is being served for dinner? If you write nonfiction, poetry, or other genres: jot a list of five of your favorite or least favorite foods. Pick one of the foods, set a timer for twenty minutes, and describe a time when you were served or served others this particular food. Use as many sensory details as possible to denote the food and reactions to it. Go!

 

 Care to learn more? I have a few spots left in my Food Writing class that begins Friday, October 6, and I’d love to have you and a friend join in the fun. Details at: Food Writing for Fun and Profit.

 

Home Phone ☎️: An Illustrated CNF Piece

“Home Phone”

 

You probably remember the first phones in your life, too.

 

My grandma had a black lacquer rotary telephone on her desk in her living room for the first 23 years of my life. It was a beauty. The sound and the little spin, as one disk moved back and then surged forward before fitting back into place again whenever a number was called, were delights. This phone was short and shiny and, as my parents reminded me when I was nursery-school little, not a toy and not to be used unless an adult said it was okay and gave us a number to use. Otherwise, hands off.

 

My parents also had a rotary phone at home. It was wall-mounted in the kitchen. It was also tan, which is not nearly as glam as black lacquer. It made the same delightful sounds, though.

 

When I was in middle school, I got my own white and gray plastic phone for Christmas (heavy as a brick and with push buttons and a little antenna, so you knew it was fancy pants), but it was still on the home landline. Both phones rang when any incoming call arrived. I wouldn’t have my own line and number until college; my first cell phone a few years after that.

 

Whether you curled the rotary phone’s cord around your arm like a bracelet (its own sense memory that will never vanish) or used the push-button phone, there weren’t special plans or phone cards like today, so we were reminded repeatedly that unless it was a local number (read: free) we weren’t to dillydally. We didn’t spend a ton of time on the phone, anyway, because all a phone did was make voice calls then.

 

This morning, when my cell-phone rang (unrecognized number, no pick-up), I decided to draw from memory Grandma’s beautiful rotary phone. I surprised myself by forgetting that, unlike a clock dial, there wasn’t an 11 or a 12 (duh; I’m not sure why my brain thought that), but I’d already inked it in that way, so I turned to a fresh page.

 

Then, while penciling in the numerals a second time, I flashed back to the alphabet above some of the numbers. That’s right! I found some great reference shots online (I should have started there—you live, you learn), and drawing #2 was off and running!

 

Some surprising things I relearned:

*They literally wrote Operator alongside the O on the dial. No subtlety here.

*There was that little metallic clicky thing (like a game-show wheel spinner) on the bottom-right-hand side of the dial.

*Drawing even circles is unexpectedly, legitimately hard. I pencil drew and redrew the three circles involved in the rotary at least twelve times. Ironically, I almost bought a compass last week.

* There was no Q on the rotary dial. None! I triple checked that on a half-dozen phone photos online. (Yes, I used a phone to find photos of phones. I am just that meta. 😊) Why no Q? The Q gets no love. Sorry, dear Q. You have a buddy, though: Z wasn’t there either. Wild! All of my formative years I used phones without these consonants and never once gave it a thought. While there are plenty of online theories about these omissions, my favorite one says that Q and Z were left behind because they resembled 0 and 2 too much. Hmmm, not so much, but an interesting theory, right?

*Memory put the numerals starting at the top and running right to left, like a clock, but the zero was on the bottom right-hand and the numerals ran down the left-hand side.

 

Some things, though, you never forget:

*Getting your first calls where someone specifically asked for you. A sibling or parent had to put down the receiver and walk into another room to get you (often hollering down hallways or running outside so that the other person got to hear a banging screen door and more yelling while waiting), sometimes knowing but more often not knowing who was on the other end of the line. Much shuffling and nervous hem-hawing ensued for both parties.

*Everyone overhearing your one-sided conversations, so you kept them a bit circumspect: “No way. When? Where? I’ll ask. No, I can’t. Next week? Maybe. I’ll see. He said what? She did what? Who said?”

*The sound of my grandmother’s warm tone on the other end of the line that I haven’t heard since 2000.

*The pleasing heft of the receiver.

*The satisfying little clunk hanging up. Much as I love my cell phone, especially after upgrading to a smart phone that has an app for everything under the sun, pressing the little red button does not give the same emotional zest as a rotary gave. You could guess a roommate’s, sibling’s, or friend’s mood by the way they either gently or frustratingly returned the receiver to the cradle.

 

In case you ever wondered: yes, you can still buy a rotary phone. In just about any color you’d prefer, from olive green to lemon yellow to vibrant orange. People sell both authentic ones and brand-new replicas online. While the era of the home phone has gone the way of the dodo, these beautiful objects—whether used for their original purpose or as cool time capsules for a shelf—are fairly affordable. Many that I saw were in the $40-70 range (but some go over $200 for the more-coveted colors, like red and bubblegum pink).

 

I wonder if my nieces, who are growing up always knowing a cell phone, will want one once they are on their own in a few years. I kind of hope so; I’d probably even gift them one for the fun of it. I’d like to call them and have them hear my voice in the same way I used to hear the voices of my relatives and friends. Through an object that only did one thing, but gave many layers of meaning and feeling.  

New Notebook, New Season, New Doodle📝

Starting a new notebook—this little 5 x 7 beauty was a whole $1.25—is always a good feeling for me. Potentiality on each page. I’ve been experimenting with different types and sizes of paper for my doodles.

Last night, right before sleep, I broke out my new notebook, my 0.7 mm lead pencil, and my colored pencils and made an outlined sketch of a photographer. It was a peaceful, simmering hour as I drew a preliminary/reference sketch on scrap paper, opened the second page of the notebook (I often skip the first, as it sits a bit askew in the binding), and then started this drawing.

Filling in the figure was a particularly pleasant part of the process as well—colored pencils force a kind of quiet contemplation and over-and-over-and-over patience that slows my thinking and flashes me back to childhood hours quietly coloring or writing.

It’s probably not surprising that I would choose to draw a photographer in motion. One of my other happy places is photography (a few years ago, I wrote a book that combined my writing with my photography practice and tips, Photography for Writers).

Much like when writing, when I’m behind the lens, the daily drops away. I like the challenge of making what I see and how I see it into a composition. I like that it’s not an easy process nor a process I can take for granted or even a process that I fully steer, but that there are many do-overs available—as many as I have time and inclination to make.

Mostly, photography is a place of rare transcendence where the world slows and I make my thinking and my seeing into something at once me and not me. It’s a good space.

This is my first go-’round with sketching what I’m calling a silhouette portrait. Kindly ignore the erased shoulder and erased original feet, which I only realized after pondering them were pointing in the wrong direction from her body’s stance along with the smudge at the bottom of the page by the date. We’ll just call those markers of authenticity.😁

I have to say, though: I was a little surprised that one or two elements of this drawing felt to me like what it feels when I’m behind my camera: a liminal in-between space that just is what it is and unfolds as it should (if, frequently, not as I would have originally imagined).

Or maybe this is just my fancy-pants way of saying I couldn’t believe it actually sort of resembles a human and not a stick figure. 😆

The little notebook says “Plan” on the cover, but as we know, there are many things we simply cannot plan. Mostly, we can move, slowly, in a slightly new direction and see what happens, and then repeat the process as the happening unfolds. Drawings, photographs, writing, ourselves—all unfolding.

Blog Tour: Craft Article, "6 Tips To Tame the Taking-on-Too-Much Spiral"🌟

I’m honored to have my craft article featured today at Editor-911 as the next stop in my book tour for From Promising to Published.

An excerpt:

How can we step back a little to create a gentler schedule?

Tip 1: Refrain from the immediate yes, however tempting. Pause for an hour (or even a day) when a great opportunity lands to think it through, step by step. 

Break down the opportunity’s required components and guesstimate possible time investments. Factor in your current energy level and health (yours and family members) before taking on a promising project. 

Visuals help: physically open your calendar and pinpoint exact hours in your schedule when you will do the work involved.  If you don’t have a lot of successive empty spots in your weeks ahead, you already know the answer. 

Last week, I had a fantastic short-term gig land in my inbox. My first instinct was to leap on it. Yes, yes, yes! Sign me up! 

Then, it occurred to me: a project like the one offered requires 2.5 to 3 hours minimum per day, 5 or 6 days a week…”

Read the rest at: clickety-click!

Many thanks to talented writer, book publisher, and educator Margo L. Dill!

Check out Margo’s awesome online writing classes, including Manuscript Draft Editing Package with Consultation (For Novels, Short Story Collections, and Memoirs), Children’s Novel Draft Editing Package (For Novels for Children Ages 9-12), and Writing a Novel with a Writing Coach: One-on-One Instruction, and Margo’s books and editing packages, sure to inspire and support your writing projects! Sign up for her free newsletter: clickety.

Blog Tour: Craft Article about Beta Readers 🌟

Thrilled to have my craft article, “Bountiful Betas: Benefits of a Beta Reader and Tips for Finding One,” featured today as a guest post as part of my book tour for From Promising to Published at Elle Backenstoe’s blog.

An excerpt: “Beta readers can save authors a lot of time and frustration trying to figure out elements of our own work that can be hard to pinpoint—such as why a certain character feels flat or why a scene that started so well deflated within a few short paragraphs.” 

Read the rest at: Elle Backenstoe’s blog. Learn more about Elle and her forthcoming book here and here. Thanks so much, Elle!

Blog Tour: Article: "GPS: Tips for Finding a Good-Fit Freelance Editor"🌟

Ever wondered how to find an editor to assist on your writing project? Thrilled to have a craft article I wrote featured at Beverley A. Baird’s awesome blog today. Stop by to get advice on finding a best-fit editor for your manuscript.

An excerpt: “It can be invaluable to get an impartial view on our writing with the in-depth, personalized feedback a freelance editor provides. Editors catch inconsistencies, scope for grammar and structural problems, note unintended repetition and filler words, red-flag plot holes, mark underdeveloped dialogue or characterization, and much more. 

Where do you find a freelance editor anyway?

·         Ask a librarian. Many libraries host readings or writing groups as part of their community outreach. Plus, librarians dig a good information search and have a wide network…

·         Check your favorite indie author’s website. A sizable portion of authors take on editing projects.

· Check the Acknowledgments section of your favorite recently published books.”

Read the whole article with oodles more tips at: clickety-click!

Blog Tour: 2 Reviews 🌟

So happy to have two wonderful new reviews of my book, From Promising to Published!

Check out this review from Glenda at The Mommies Reviews: clickety-click.

Along with this review from Beverley A. Baird: clickety-click.

Many thanks to Glenda and Beverley! Check out more at: http://www.themommiesreviews.com/ and https://beverleyabaird.wordpress.com/.

Blog Tour: Article--"7 Surefire Tips For Writing Author Bios With Personality And Heart"🌟

Super excited that my book tour stops today at Mindy McGinnis’ blog today and features my writing craft article with tips for crafting a meaningful author bio [clickety-click below to read]:

7 Surefire Tips For Writing Author Bios With Personality And Heart

Many thanks to Mindy! Check out Mindy’s awesome YA books, podcast, and editorial services while you’re there.

Blog Tour: Review at Naomi Nakashima's helpmenaomi.com 🌟

Pleased to have this wonderful review of my book, From Promising to Published at helpmenaomi.com: clickety-click!

An excerpt: “From Promising to Published by Melanie Faith has landed a permanent place on my bookshelf and will be one of the top books I recommend to my clients who are looking for advice on how to get their book out there.”

Read the rest at: helpmenaomi.com. Also, check out Naomi’s editing and ghostwriting services and her book about self-publishing.

Blog Tour: Interview with Lisa Haselton 🌟

So pleased to have this interview as my blog-tour stop today. It was a pleasure to talk to Lisa about many facets of the writing life, such as finding time to write, as well as a few other topics, like when I first called myself a writer, what I’m working on currently, and both the Space Race and space diapers! Also, a sneak peek into my chapter, “Celebration Station.”

Intrigued?

Here’s an excerpt from the interview:

What would you say is your interesting writing quirk?
I alternate projects, so some of my projects sit on the backburner for months or even well over a year before the muse strikes to get back to them again. I work on projects intuitively, so I’ll write a chapter or a handful of poems or an article or two at a time and then either start a new project or rotate back to an already-started one that feels ready to work on again. Last weekend, I worked on two chapters of a project I hadn’t worked on since May.”

Read on: clickety-click!

Many thanks to Lisa Haselton for the insightful and fun questions. If you’re in the market for an editor for your writing project, please check out her editing services, her resources pages, as well as her blog for more wonderful interviews with authors.