"4 Ways Doodling Enriches the Writing Process"

Great news! My article with tips for doodling and writing was published today at Women on Writing! Read on for some tips and info about my online drawing class that begins Monday, August 3rd.

“4 Ways Doodling Enriches the Writing Process”

By: Melanie Faith


Like most people, when I was in elementary school, I loved art class and drawing. I always went at whatever project our art teacher, Mrs. K, assigned with gusto, if not precision. By 7th grade, art became a club by invitation only (I didn’t get the invitation) and other activities like writing and surviving as a teenager took over.

Although I didn’t talk about it much, throughout the years I always liked filling margins with shapes and signing greeting cards to friends and family with a little mini-me sketch. In the past five years, especially, I’ve started to draw more frequently as its own activity and filled pages with new artistic adventures, from oil pastels and alcohol markers to enjoying fine-liner pens, gouache, and beautiful, gifted colored pencils.   

How does doodling enhance our experience as writers?

 

Showing up for Ourselves: There is something refreshing about a low-outcome or no-expectation activity. Like walking, running, hiking, cycling, gardening, and other physical activities where the point is most often showing up, putting in practice, and enjoying the time that is separate from the to-do list, drawing also encourages us to grab a time and show up for it—and for ourselves in a way that is often shoved aside in daily life’s deadlines and expectations. Both drawing and writing tap into a relaxed state we seldom feel in our rushed everyday lives where responsibilities and obligations stack up. Showing up for our art and seeing what comes of it can be the best gift we give ourselves.

Experiencing the Moment without Rush or Worry: When we grab a pen or pencil or brush and begin to noodle around, as I like to call it, just as when we sit before a notebook or a computer screen and begin to draft, we are opening ourselves up to a side of ourselves that responds to discovery. Whether or not the draft or sketch turns out as we like, we are practicing showing up and seeing what we can make. When we are drawing, we get to experience again what kids feel as they make things: kids don’t care yet what the end piece becomes; they just enjoy the physical and emotional experience of using the art supplies and covering the table with them and filling a page.

Perseverance or Freedom to Begin Again: I opened up my camera roll recently and chose some recent photos to doodle. I expected very little out of the sketches—mostly, it was for the joy and the practice, and to have a prompt that could help me to leap into making marks on paper quickly, without sitting to think about it for too long. Did the doodles match my photos precisely? Not at all, but precision is not my goal. In the drawing, some fingers were slightly bigger than the others in the peace sign my elder niece flashed to me in the yarn store and my younger niece’s arms under the pizza boxes were too short, and I didn’t quite pencil in the funky sunglass lenses completely on the self-portrait doodle. But does any of it matter? Nope. The hour and a half I sat outside with my little square sketchbook surrounded by art supplies, my hand and mind moving across the page, was the complete goal, and honestly, it was such fun that it felt like about ten minutes. I was surprised to look at my watch and discover it had been well over an hour.

We can put a lot of pressure on ourselves for the first sketches or the first drafts to be beautiful or remarkable, and yet, it’s a great reminder in both arts to invest without expectation of outcome. Also, we  learn when we’d like to continue and when starting over is best. Some drawings surprise me that even if they don’t look objectively great, if I keep finessing them, they can become something remarkable anyway. Or it’s just time to scrap and try again, no penalty. If what I draw starts off wonky and keeps going astray, I can just give a chuckle and turn to the next page. Either way, the experience in knowing when and how to continue or to laugh it off and begin afresh serves well in both drawing and writing (and dare I say? Also in life).

Fulfillment. This one needs little explanation. When I’ve been meaning to write or to draw or photograph for a while but haven’t gotten around to it, I start to feel…deflated, agitated, and distracted.  Once I’ve given myself the gift of a few minutes or an hour making something, I feel more content. I’m just happier when making new things; maybe you are, too.

 

Try this exercise:  Give yourself 20 minutes today that you hadn’t expected and shower yourself with attention, by which I mean: grab a piece of blank paper or a notebook and make some marks, weather that’s a squiggly doodle you shade in, a few sentences about your day so far or your day yesterday, a stanza of a poem, or something else. Need inspo? Give your camera roll a spin and stop on an image that speaks to you. After your 20 minutes do a self-inventory: How do you feel? Are your shoulders more relaxed and less tight? How does your spine feel, and your breathing? Do you feel as if it’s been 20 minutes or a lot less? Repeat this exercise again later in the week and as often as you’d like. 😊



Care to learn more? I’ve got a class for you: Doodling Class clickety-click.

Love to Doodle? Have I Got a Class for You! ✍️

Have you always liked to doodle? Wish you could draw more in a low-key, freeing, self-directed way? Like making marks on the page for the pleasure of it? Now that summer has arrived, I’m super excited to share that I’ll be teaching a super fun online class in August. I’d love to work with you and a friend; mark your calendars. Sign-ups now open. 🥳

Here’s the scoop on my new four-week class, Drawing Doodle Comics for Fun and Enrichment: clickety-click.

Class description: COURSE DESCRIPTION:

Love to doodle or draw but haven’t drawn for a while? Or want to learn a new skill that is rich in narrative and creativity-building skills? Find comics entertaining and interesting? Want to depict memorable small moments from your own life or a character’s life for the joy of recording memories and everyday absurdities that amuse you? Or learn a few techniques that pleasantly blur the lines between drawing and diary? If the answer is yes to any of these questions, welcome aboard!

Nonfiction comics are a delightful blend of story compression, dialogue, drawings, and theme. Comics are an ever-malleable form that can encompass journal entries, a comic strip, experimentation with writing about the self as a character, and so much more.

Photography Published at Flowers of the Field! 🥳

Excellent artistic news! I’ve had a poem and photography published at the most recent issue of Flowers of the Field! From delicious, decadent chocolates to flowers to spools of thread and more, it’s a pleasure to get to share these shots from my camera. 📸Their next issue has a “joy” themed: clickety-click for guidelines. To this continued creative life!

Exciting News! Cover Reveal and Pre-Order Link! 💃

Super delighted to get to share the gorgeous cover for my latest poetry collection, The Price of Breathing.

Read more about the book’s plot and pre-order today at this link: Clickety-click to Vine Leaves Press!

Can’t wait to share this book for its book birthday in September, and many thanks to Vine Leaves Press and multitalented publisher Jessica Bell for this amazing cover design. I couldn’t be happier! Catch more of Jessica’s fabulous designs—I heartily recommend her work if you’re looking for a book designer or have a friend who is.

Far Villages Poetry-Craft Anthology--April Sale! 🥳

A few years ago, I had the great pleasure of being included in a wonderful poetry craft-essay volume, called Far Villages: Welcome Essays for New & Beginner Poets. The volume was edited by talented Abayomi Animashaun through the marvelous Black Lawrence Press.

If you’re a poet, an educator, an interested reader who wants to learn more about the poetic craft, and/or are looking for a gift that’s sure to bring much inspiration to the poets in your life, I highly recommend this anthology. It’s the kind of book you’ll want to keep on a close shelf to page through for motivation and ideas.

Get your copy now—it’s on sale through this month while supplies last. Clickety-click! Write on!

On the Magic of Making New Work🎉

If you're thinking about taking a class to make time for your art and self-expression and creativity again, this is your gentle nudge to go for it! 😊

Shape-making for the win.


Like most photographers, I’m used to taking shots of others and of landscapes, not so much in front of the camera.


For the past 2 1/2 weeks, I’ve been a student in a wonderful photography class  @illuminateclasses called Self-Portraits for Growth, taught by the fabulous @itsamyliz .


This course has been magnificent for centering me in my body and also breaking open my vulnerability and artistic daydreams within my photographic process. It’s taking my photography to an exciting, evolving new level. 📸


You could try.

It’s been an absolute joy to see the work created by the many talented, inspiring photographers and to take photographs with intention and personal and artistic growth in mind again. 💗


Here are a few of the shots I’ve made during the course as I make a new body of work.

I aim to sustain a regular photography practice again.


I also want to take the many insights I’ve gleaned from the written exercises, photography tips, the trial-and-error process along the way, double-exposure making, slow-shutter making, and more into creating more narrative-rich, fun photos in the future. .


Practicing any art—and especially practicing multiple arts—returns pieces of ourselves to ourselves and gives us new tools for expressing what we normally don’t. Tremendous gifts to unwrap and enjoy.

All that gold. 🍂


To continued inspiration!



Happy Holidays & a Year of Daily Doodles 🎉

Happy Holidays! I hope this season finds you all inspired, resting, and excited for 2025 ahead in less than a week.

I’ve worked on a doodle project for the past year that I’m set to complete on Tuesday. I’d love to share about it now, with some coordinating drawings. Without further ado:


“13 Things I Learned from [Almost] a Year of Daily Doodling”

It just feels good to draw. Period.  I knew this intrinsically as a child, and I got to relearn it this year.

The less pristine, the better, the more confidence. During January to around March, I frequently made a soft under drawing in pencil, which I would then trace with a pen or marker before erasing my guiding lines. By around April, my confidence had grown so that I rarely grabbed a pencil first. From July onward, I can’t remember grabbing a pencil to start at all. 

 

Ink-feel is a thing. Some days, I wanted slippery, twirly gel ink or a smooth ballpoint or the gentle flutter of wooden colored pencils while other days I liked either the blunt ooze of a thick marker or highlighter or the waxy appeal of crayons that slowed me down. Just like picking hues to use, my mood could dictate the material I grabbed. Once or twice, I bought new markers or pens to play with. There’s something very affirming and soothing to the nervous system about making marks on paper, even if the drawing doesn’t turn out. Okay, especially when the drawing doesn’t turn out.

 

Limits open you up. The most time I spent on a drawing was 20 minutes, but that was mostly in January-February. After that, my daily doodle journaling tended to be less than 10 minutes, including any coloring with colored pencils/markers/coupy pencils/crayons. The more I intuitively trusted that I could make good marks, the easier it got to increase my speed.

Phones are great for reference photos:  Sometimes I could draw using my mind’s eye, but for other days, a quick image search on my phone yielded many options for reference photos that really helped as I considered various angles and shapes and details to pick and choose from for my own doodle. I reminded myself that professional artists have long used references to research, prepare, and/or draw. No shame in the game.

 

Yeah, this is drawing, but feel free to combine with captions whenever you want to: Sometimes, I drew little captions or a sentence or two of explication or just arrows and words to label my drawing. I’ve read a few artists’ (published) notebooks and drawing how-to craft books since 2020 that show other artists who integrate small bursts of prose as well, which gave me the idea (and the permission) to mix and match.

Prompts are magical: I have two or three sketchbooks I’ve made intermittent doodles in over the past two or three years, but having a daily page with a specific prompt on it took the what-should-I-try-to-make decision away and opened me up to whatever the prompt asked for each day. After drawing, I made it a ritual to mark the next day’s prompt with a page marker, but I didn’t read the prompt until it was time to draw each day.

Ditch or amend prompts whenever you want to: Now and again, I didn’t know how to make what the prompt asked or didn’t feel like following the prompt, so I didn’t.  Like the day I decided to draw a bunch of stars. I just made something else up on the spot. Also liberating.

 

 

Some drawings can’t be improved with more focus or more effort—that’s fine, let it go, and you’ll draw more tomorrow and the next day.

 Some drawings can bloom with more effort or focus. You’ll know the difference. One day, I skipped a space and labeled the new drawing as “take 2.” If you want to keep trying, then keep going.

 

Watching the pages accumulate, even if most of the drawings are still not braggable or even what you’d hoped, is one of the best feelings ever. Before starting the daily doodling, I had more of a when-the-mood-struck drawing practice. Not exactly the best way to grow one’s art.  Becoming stronger at an art requires more than just dabbling when the mood strikes. I knew this from my writing, and I had the chance to relearn this with my drawing.

 

Imperfect? Who cares? The journey was for the fun and for the growth in it, both of which have paid back handsomely. 

 

Drawing every day makes me want to draw more. Once I finish the year this week, I know that I’ll want to continue to draw regularly. Paging through my daily doodles from January 1st to late December, I can see how my drawings have gotten more secure, more space-taking, and also more okay with the mistakes in perspective. Here’s to more doodles ahead!

 

I'm Featured Poet at The Porch Swing Poetry! 🍁

So pleased to announce that I was recently interviewed by super talented @gilliancourtneypoetry about my poetry and writing experiences and will be featured this week, along with poetry, at @theporchswingpoetry on Instagram!

Check out the first part of our interview today and return later this week for poems by yours truly. 😊

Read more work at this amazing new poetry venue and return often for inspiring poems, interviews, and posts by many talented poets. 🍁

Interview Published about Self-Care for Creatives at Bold Journey! 🥳

Excited to share this interview with Bold Journey! A bit about the magazine: “Bold Journey is a space to share stories and learn from each other's experiences.”

Melanie, we are so happy that our community is going to have a chance to learn more about you, your story and hopefully even take in some of the lessons you’ve learned along the way. Let’s start with self-care – what do you do for self-care and has it had any impact on your effectiveness?
I’m a professor, tutor, freelance editor, and writer. I absolutely love being surrounded by motivated writers through my teaching and freelancing.

I’m also an introvert. A big part of being verbally connective for hours at a time and sharing what I know in support of others’ writing journeys is also maintaining ways to care for myself to ensure that I bring my best to personalize my responses to students and writers and to connect with my students, friends, and family in meaningful ways. 

One of my doodles—another way I rejuvenate. ✍️

A big part of my self-care routine in the past four years has been to support myself in taking breaks. Freelancers tend to work morning, noon, and evening, so I make a point most days to take at least two small breaks. Making mint tea (my favorite), reading a novel, sending my sister a funny meme or gif, or watching a few minutes of a streaming show or movie are all good, quick rejuvenators mid-day or at day’s end.

I’m certainly not perfect, and some days I only get one break…or none at all. I had a day this week with no break. In that case, the next day, I take a whole hour or two off (in the morning or early afternoon, to ensure that I work it into the day) to doodle, write, read, or take a nap to make sure I don’t burn out. The times I’ve gotten very close to burn-out have been disconcerting enough that I want to do all I can to ensure that I have the energy to support my own well-being so that I can give more support to others as well.

I’ve also gotten better over the years at telling myself what I would tell a friend, “You’ll actually have more energy and focus if you give yourself this break. Go for it!” 99% of the time, I’m amazed that, returning from even a 10- or 20-minute break, my thinking is clearer and my outlook is refreshed.

Taking walks, listening to music, and my writing practice are also huge parts of my self-care routine.

A shadow self-portrait I took one day for the fun of making something new. 📸

So is something like painting my nails a bright color or taking my camera out to capture some photos. As an introvert who is also communicative, these little, personal breaks to create something (which gives me renewed energy) often act as springboards to work I wish to share later. There are other times when I write or draw or photograph something just for the sheer joy of expression. Sometimes, I think we put too much pressure on being good at an art rather than practicing it just for our own fulfillment, and I want to tell everyone who is reading this that learning an art or a craft or a sport you always wanted to learn can be a great part of self-care and encourage your path–as well as a lot of fun.

Appreciate the insights and wisdom. Before we dig deeper and ask you about the skills that matter and more, maybe you can tell our readers about yourself?
I have been a published author and an educator for over 20 years, and I’ve been a writer since I was a child. I love to challenge and motivate myself to try various forms of creative expression, from writing narrative poems to autofiction and a Regency novella to film photography and drawing.

My most recent meaningful adventure was learning how to design my own book cover and self-publish my latest collection of poetry, called Does It Look Like Her?, about a painter, her teaching journey, and her son. I also love writing craft books about various writing topics, from writing flash fiction and poetry to the publishing process and photography, and Vine Leaves Press has published six of my craft books where I share tips and anecdotes of my writing journey with fellow writers. Motivating and supporting others in their path to creativity and personal expression has been an important part of my journey as a teacher, artist, writer, and friend, and I value and appreciate the writers I get a chance to meet and to share this writing path with as I develop my own art.

There is so much advice out there about all the different skills and qualities folks need to develop in order to succeed in today’s highly competitive environment and often it can feel overwhelming. So, if we had to break it down to just the three that matter most, which three skills or qualities would you focus on?
As a writer, perseverance, hope, and determination keep me rolling ever onward on my path. A sense of humor and the camaraderie of fellow authors certainly help as well.

Developing a support network as you practice an art, launch a small business, change careers, or any other venture in life is very helpful and often sustains our creative work as well as a feeling of connection in the literary community. Being a supportive, listening ear to others is also meaningful and a wonderful way to develop as an artist, writer, friend, and/or educator.

Is there a particular challenge you are currently facing?
The number one obstacle I face and which my fellow writers and students often mention is time. Our lives are so packed with activities that having empty pockets of time has become a luxury. At the same time, to make art or a good novel draft or other worthwhile parts of life, we need time to daydream, to dawdle, to plan, and to relax. It’s a real challenge and something that doesn’t seem to get easier to solve over time. Squeezing those self-care breaks into each day or a few times a week seems to work best. So does trying new hobbies or even new foods. Reading a book about something new energizes me as well, even if I can only dip into a few pages each day.

Stopping to have gratitude for the small moment and the little things we appreciate each day is also an energizer and helps to combat the frustration of our overly packed schedules.

Doodles 🖼️

It’s been a hot minute since I shared some doodles, so I felt like a post would be in order.

I’m not above using erasers or cover-up tape to make my drawings better if the first try goes awry. 😉

For my birthday last year, my awesome sister got me a doodle journal. I’ve had lots of writing journals over the years, but never one specifically to encourage my development as a visual artist.

Each page has a prompt. They range from very broad and easy to interpret to real headscratchers that make me amp my creativity and test my sketching abilities, like the day it suggested drawing the final scene from a movie (gulp!).

I spend just ten to thirty minutes on each drawing (the shortest sketch was my Easter tulips), often in-between grading and making a snack or at the end of the day when I’m wide awake but too mentally tired to dig into a draft in-progress.

I find I care much less about whether the sketches are realistic enough to satisfy my inner censors and much more about the fun of using the art supplies.

The slowdown is very rejuvenating on my nervous system—almost like swimming, I can feel the languid time opening up. I was thinking about that a lot this week, as I paged through what I’ve doodled so far and treated myself to a box of soft oil pastels, which are new to me.

This has also given me a chance to practice doodling people, one of my weakest skills. I gave it a whirl on a doodle of a Jane Austen book cover as well as my version of The Bard.

I used a variety of colored pens, colored pencils, gel ink, whatever was handy on these sketches.

Sometimes, I accompanied the sketch with a short sentence or two reflection, almost like a journal, either in answer to the prompt or just a thought on my mind, such as the day it was 18 degrees outside.

Enjoy this medley of doodles from my sketchbook, and may you continue to find enjoyment and inspiration in your own writing and artistic journeys! Create on. 🥳

Thanks for taking a look at these sketches and for all of your support of my books and teaching. Signed copies of my latest poetry book, Does It Look Like Her? , available at my Etsy store: clickety-click. Also, available (unsigned) through Amazon: clickety-click. 📔

This prompt asked doodlers to draw a self-portrait of themselves from another era. I drew myself in an 1860s tintype. My 1860s self is not as smiley. 😁