Doodles 🖼️

It’s been a hot minute since I shared some doodles, so I felt like a post would be in order.

I’m not above using erasers or cover-up tape to make my drawings better if the first try goes awry. 😉

For my birthday last year, my awesome sister got me a doodle journal. I’ve had lots of writing journals over the years, but never one specifically to encourage my development as a visual artist.

Each page has a prompt. They range from very broad and easy to interpret to real headscratchers that make me amp my creativity and test my sketching abilities, like the day it suggested drawing the final scene from a movie (gulp!).

I spend just ten to thirty minutes on each drawing (the shortest sketch was my Easter tulips), often in-between grading and making a snack or at the end of the day when I’m wide awake but too mentally tired to dig into a draft in-progress.

I find I care much less about whether the sketches are realistic enough to satisfy my inner censors and much more about the fun of using the art supplies.

The slowdown is very rejuvenating on my nervous system—almost like swimming, I can feel the languid time opening up. I was thinking about that a lot this week, as I paged through what I’ve doodled so far and treated myself to a box of soft oil pastels, which are new to me.

This has also given me a chance to practice doodling people, one of my weakest skills. I gave it a whirl on a doodle of a Jane Austen book cover as well as my version of The Bard.

I used a variety of colored pens, colored pencils, gel ink, whatever was handy on these sketches.

Sometimes, I accompanied the sketch with a short sentence or two reflection, almost like a journal, either in answer to the prompt or just a thought on my mind, such as the day it was 18 degrees outside.

Enjoy this medley of doodles from my sketchbook, and may you continue to find enjoyment and inspiration in your own writing and artistic journeys! Create on. 🥳

Thanks for taking a look at these sketches and for all of your support of my books and teaching. Signed copies of my latest poetry book, Does It Look Like Her? , available at my Etsy store: clickety-click. Also, available (unsigned) through Amazon: clickety-click. 📔

This prompt asked doodlers to draw a self-portrait of themselves from another era. I drew myself in an 1860s tintype. My 1860s self is not as smiley. 😁

⭐ My Narrative Poetry Article Published at Women on Writing's Craft Corner! ⭐

Super excited that my article about narrative poetry was published at Women on Writing today in the Craft Corner. 🪻🥳

I had a blast talking about this meaningful type of poetry as well as my own writing practice, and I packed it with tips for writers exploring this exciting form of verse!

Signed copies of Does It Look Like Her? available at my Etsy store: clickety-click. Also, available (unsigned) through Amazon: clickety-click.

Also, If you, your friends, or your students or writing group are interested in learning more about writing poetry, I have a lot more writing advice and fun prompts for poets in my Vine Leaves Press book, Poetry Power (scroll to the second book on the page for links to Poetry Power ) ! Check it out: Poetry Power: clickety click and at Amazon:clickety-click.

Copies for Signing Have Arrived! 🥳

Great news: my copies for signing have arrived. If you’d like a signed copy, here’s the link to my Etsy shop:

Does It Look Like Her: Signed Poetry Book— Clickety Click!

Copies [unsigned] are also still available through Amazon: Book Clickety Click!

I also had a ridiculous amount of fun creating this self-portrait with my book. 😁

Thanks for all of your support, and here’s to books and poetry! 📔

Sneak Peek: "Does It Look Like Her?"

Care for a glimpse at my poetry collection’s plot? Ta-da! 🎊📚

Alix briefly meets an accomplished artist at a coworker’s dinner party and subsequently sits for a painting that becomes well-known. But Alix is neither a one-trick pony nor an ingénue; she’s 47 and embarking on her own painting and teaching journeys while starting her life over with her young son.
 
This collection of narrative poetry spans years and POVs—including Alix; her son, Sam; her ex; and her colleague, Meghan—and explores what it means to pursue artistic passion, the personal meanings we overlay onto art and artists in a society not conducive to art-making, ambition at midlife, the indirect route to so-called overnight success, and more.
 
Includes Questions for Discussion, Reflection, or Journaling as well as Additional Reading Suggestions.

Reach 🤩

Reach

Sketch in colored pencils & black felt-tip pen.

I haven’t shared a doodle in a while, so I figured it was about time to break out my sketchbook and play a bit.  

I was thinking yesterday, too, about swing-arm lamps. The kind architects often have on their desks, but sometimes also students and offices. I didn’t know that they were referred to as “swing-arm” lamps until a quick search-engine search delivered that little golden nugget into my life, which I now share with you. 😉

Speaking of innovation and knowledge, I read a book two or three years ago about the Bauhaus, a German school of design, arts (including theater, sculpture, pottery, stained glass, wooden toys, and poster design), and architecture in 1919-the early 1930s. Fine arts and crafts and some very sharp-looking designs were created by young students and their professors which continue to inspire designers of furniture and architecture. They made innumerable creations in their carpentry and metal-working workshops, from chairs and swivel lamps and photography and arts posters for theater performances given at the school to coffee-and-tea sets and glassworks and weaving and you name it. If the design was geometric, spare, innovative, and functional during that time period, it was probably cooked up and refined at the Bauhaus.  

I’ve never owned a swing-arm lamp, nor a gooseneck lamp (which I think of as their fanciful second cousin), but I’ve often admired both. There’s something very appealing about the way they’re designed—form and function working hand-in-glove. They don’t just sit there stationary, but offer instant flexibility for the user. Wherever the light is needed, le voilà! Here we go; instant warm spotlight. Then, economically pushed back when not in use—until the next time.

Continued growth as a writer often requires a reaching process that combines a hearty blending of the initial sizzle of the imagination intermingled with the stability and support of consistent application, mixing the heat of creating with the cooler temperatures of refining and editing the vision into new forms for sharing.

This end-of-year time gets all of our gears turning with goals we’ve finished and those we haven’t and those we’d like to dream up for next year. Without putting pressure on ourselves (because nobody needs more of that!), it’s a good season for this kind of if-you-can-imagine-it-you-can-make-it-happen reflection.

It’s a good time for downshifting, daydreaming, and putting some plans into action for the coming months.  I have the kind of mind that needs no encouragement to cook up a project or ten and imagine the endless permutations and exciting possibilities. I also have the kind of mind (and enough experience as a writer and creative) to know it takes time, organization, trial-and-error patience, and planning to see a project to its conclusion so that it’s ready to share. I try to give my imagination free reign for a while, and then I begin to organize that wide expanse into a series of steps (accounting for setbacks and a learning curve along the way).

I’m cooking up some fun projects for 2024 that I can’t wait to share. At the moment, one project in particular is very new, wobbly, interesting ground for me, stretching what I already know with the many, many things I don’t. It includes a-million-and-one steps that I’m learning (and reading about and trial-and-erroring and trying-again-and-againing).  Stay tuned!

I am delighted to share that I have three online classes that I hope will inspire fellow creative writers and artists to invest in their own dreams and goals and talents as well as to try new creative goals that will inspire reaching into new territory as well.

If you have a friend you haven’t purchased a gift for yet or would like to invest in your own artistic process, I’d love to work with you and a friend! Mark your calendars. All three courses accepting sign-ups now 😊:

*In Tune: Writing about Music in Fiction (starting Friday, February 2, 2024; 4-week class; NEW!):

https://wow-womenonwriting.com/classroom/MelanieFaith_Music.php

*An Inside Look at Launching as a Freelance Editor (one-afternoon webinar; 1-2 pm ET; Friday, April 12, 2024)

https://wow-womenonwriting.com/classroom/MelanieFaith_FreelanceEditorWebinar.php

*Art Making for Authors (starting Friday, August 2, 2024; 4-week class; NEW!)

https://wow-womenonwriting.com/classroom/MelanieFaith_ArtMaking.php

I also have craft books aplenty that make excellent gifts, such as: From Promising to Published:

Here’s to reaching into our imaginations and cooking up the projects that will interest and sustain our creative growth both now and throughout 2024!

Write on!

 

Give Yourself a Break 🍂

Here's the nudge you've been waiting on. Go ahead. Give yourself a little break today.

My daily and weekly to-do lists run off the page; I'm sure most of yours do, too. I so seldom decide to clear some time in my afternoon for a slowdown, but I knew when I woke this morning that it was just what I needed to rejuvenate my artistic well.

For an hour or two, I'll continue to play with my photos and maybe start some poetry or prose, too. And perhaps read or listen to music.

Even if you can only squeeze in twenty minutes and you schedule it in for tomorrow or a weekday or an evening after work or at 4 am before work, give yourself the gift of a pause to daydream, create, nap, listen to music, reflect, take a walk, take up space.

You, too, deserve an unexpected respite. 🥳
#artistslife #artistslifeforme #createeveryday #rejuvenate

My Silhouette Portrait Published in Suspended Magazine & Giveaway Reminder 📸🥳

Very pleased to have one of my photos, “Open Space Silhouette Portrait,” published in the current issue of Suspended Magazine. Check out the issue, and consider submitting poems, art, or short fiction to this amazing literary magazine: details here.


More insights from the magazine about my photo: “I’m interested in the numerous exciting permutations portraiture and self-portraiture can take. From precise likenesses to figures that could be a stand-in for almost any character or human form, the possibilities when documenting the self and others are encouraging for photographers who wish to explore. I took this self-portrait using a Nikon 35 mm DSLR, creating a window reflection and then playing with filters that introduced light leaks that offered a compelling interplay between buoyant, yellow warmth and movement against deep, calm shadows of introspection and stillness. I’m intrigued by how the finished photo suggests both anchoring and spaciousness.”

***

Also, just a reminder that Women on Writing’s Thankful for Books Giveaway runs up to November 20th! 🍂📚

Copies of my book, From Promising to Published , will be part of the prize packages for three lucky winners.

Read more and enter the contest at: Thankful for Books Giveaway!

My Photography Chosen for J. Mane Gallery's Juried Exhibition: "Eat" 📸

I’m so pleased that 5 of my photos were chosen as part of J. Mane Gallery’s latest juried exhibition. The theme is “Eat.” Among them are these 2 photos that were so fun to take and make. 📸😊

See my other 3 photos and all of the amazing art by talented artists at: J. Mane Gallery “Eat” Exhibition.

If you’re in the market for an awesome online writing class, check out my similarly themed Food Writing for Fun and Profit (starting Friday, October 6th).

To art and food!

New Doodles and Reflections 🎉

I felt like doodling some teapots yesterday, and then I sat down and wrote a few reflections that fell out of my head in essay form on the theme. Just fun to share. 🌞

For a few years, I bought a lot of tea kettles. I wasn’t starting a collection; I was gifting them.

 

If you had invited me to your wedding or to your housewarming party or to a similar occasion in that stretch of time you likely received one of these beauties wrapped in a roll of polka-dot or confetti-print paper. I bought them one at a time, brand new, and with the individual receiver(s) in mind. They were, in that way, personalized.

 

Sometimes, I picked enamel ones with a spate of blue, green, or red geometric designs or tiny, hearty yellow flowers across the belly; other times, I picked a plain kettle of shiny russet or a penny color; or a glass or porcelain teapot. It depended on the store’s stock and sometimes on my mood or the color combos that seemed to match the friend or cousin or coworker I was shopping for. Some of the kettles came in printed cardboard boxes and some did not. Regardless, I hand-selected and filled-in a personalized message for each kettle.

 

I always added a box or two of the sachets filled with pocket-square sized, often-flavored tea (orange pekoe, black tea, green tea with mint, English breakfast tea, lemon or another fruity flavor with fun, often alliterative product names) to go along with the gift so that it was immediately useful, immediately (I hoped) a part of the recipient’s daily life.

 

In my enthusiasm to gift, I could have planned better. Thinking back on it now, I guess I could have/should have asked if they even liked tea. I could have just gone with something on a registry, to ensure they didn’t get doubles and have to return it. I didn’t know if any of my recipients already had kettles. I loved tea, still do, and what I wanted to gift most was what I loved most: the ritual of starting with something basic and elemental and fortifying—water that would also become some steam, herbs—and within just a small amount of time (usually less than 5 minutes) a whole experience: a break, or a companion for the morning, or afternoon, or evening when sleep was futile, was created. Over and over, this comforting surety of rest and fortification.

 

Most tea is made now (mine included) in a small microwave that gives a tiny chirrup of beeps and then stops. Sometimes, I wait with my eager spoon a few feet from the muted window as my mug spins and spins inside the machine, and sometimes I use that time to fish through my many boxes to find the flavor of the day. It never gets old—selecting the flavor.

 

I don’t have a kettle at the moment and haven’t gifted anybody one in years, but I still love everything about these simple beauties: their hollowness and their heft; their handle like a purse a great aunt handmade for me when I was a kid that lifts up or can be tucked back, out of sight when not in use; the elephant-trunk curve of the little spout; the dainty lid with its knob that makes an easy lift-and-remove or fit-into-the-groove possible.  They do not require an app to operate; they run on the thought to use them, time, and patience.

 

Those minutes waiting for the water to bubble are a handbrake—Slow it down, down, and down again. The additional moments of the sachet simmering fragrance also speaks a similar language—Don’t leap ten steps ahead; be here. 

 

One day soon, I may likely find the perfect one to gift myself. But even if that time is a ways off, there is the ritual of the cup, the water turned to curlicue steam, the flavor. There is the everyday transformation to stillness and reflection: much like words, available for combination, creation, consumption, and recreation. A small part of the day, but one that betters in its own steadfastness, in its own pleasing way. 

 

Purple gel pen, colored pencils.

Some kettle practice. 😉

My first kettle that somehow ended up in proportions looking rather like a genie lamp! 🤣

Home Phone ☎️: An Illustrated CNF Piece

“Home Phone”

 

You probably remember the first phones in your life, too.

 

My grandma had a black lacquer rotary telephone on her desk in her living room for the first 23 years of my life. It was a beauty. The sound and the little spin, as one disk moved back and then surged forward before fitting back into place again whenever a number was called, were delights. This phone was short and shiny and, as my parents reminded me when I was nursery-school little, not a toy and not to be used unless an adult said it was okay and gave us a number to use. Otherwise, hands off.

 

My parents also had a rotary phone at home. It was wall-mounted in the kitchen. It was also tan, which is not nearly as glam as black lacquer. It made the same delightful sounds, though.

 

When I was in middle school, I got my own white and gray plastic phone for Christmas (heavy as a brick and with push buttons and a little antenna, so you knew it was fancy pants), but it was still on the home landline. Both phones rang when any incoming call arrived. I wouldn’t have my own line and number until college; my first cell phone a few years after that.

 

Whether you curled the rotary phone’s cord around your arm like a bracelet (its own sense memory that will never vanish) or used the push-button phone, there weren’t special plans or phone cards like today, so we were reminded repeatedly that unless it was a local number (read: free) we weren’t to dillydally. We didn’t spend a ton of time on the phone, anyway, because all a phone did was make voice calls then.

 

This morning, when my cell-phone rang (unrecognized number, no pick-up), I decided to draw from memory Grandma’s beautiful rotary phone. I surprised myself by forgetting that, unlike a clock dial, there wasn’t an 11 or a 12 (duh; I’m not sure why my brain thought that), but I’d already inked it in that way, so I turned to a fresh page.

 

Then, while penciling in the numerals a second time, I flashed back to the alphabet above some of the numbers. That’s right! I found some great reference shots online (I should have started there—you live, you learn), and drawing #2 was off and running!

 

Some surprising things I relearned:

*They literally wrote Operator alongside the O on the dial. No subtlety here.

*There was that little metallic clicky thing (like a game-show wheel spinner) on the bottom-right-hand side of the dial.

*Drawing even circles is unexpectedly, legitimately hard. I pencil drew and redrew the three circles involved in the rotary at least twelve times. Ironically, I almost bought a compass last week.

* There was no Q on the rotary dial. None! I triple checked that on a half-dozen phone photos online. (Yes, I used a phone to find photos of phones. I am just that meta. 😊) Why no Q? The Q gets no love. Sorry, dear Q. You have a buddy, though: Z wasn’t there either. Wild! All of my formative years I used phones without these consonants and never once gave it a thought. While there are plenty of online theories about these omissions, my favorite one says that Q and Z were left behind because they resembled 0 and 2 too much. Hmmm, not so much, but an interesting theory, right?

*Memory put the numerals starting at the top and running right to left, like a clock, but the zero was on the bottom right-hand and the numerals ran down the left-hand side.

 

Some things, though, you never forget:

*Getting your first calls where someone specifically asked for you. A sibling or parent had to put down the receiver and walk into another room to get you (often hollering down hallways or running outside so that the other person got to hear a banging screen door and more yelling while waiting), sometimes knowing but more often not knowing who was on the other end of the line. Much shuffling and nervous hem-hawing ensued for both parties.

*Everyone overhearing your one-sided conversations, so you kept them a bit circumspect: “No way. When? Where? I’ll ask. No, I can’t. Next week? Maybe. I’ll see. He said what? She did what? Who said?”

*The sound of my grandmother’s warm tone on the other end of the line that I haven’t heard since 2000.

*The pleasing heft of the receiver.

*The satisfying little clunk hanging up. Much as I love my cell phone, especially after upgrading to a smart phone that has an app for everything under the sun, pressing the little red button does not give the same emotional zest as a rotary gave. You could guess a roommate’s, sibling’s, or friend’s mood by the way they either gently or frustratingly returned the receiver to the cradle.

 

In case you ever wondered: yes, you can still buy a rotary phone. In just about any color you’d prefer, from olive green to lemon yellow to vibrant orange. People sell both authentic ones and brand-new replicas online. While the era of the home phone has gone the way of the dodo, these beautiful objects—whether used for their original purpose or as cool time capsules for a shelf—are fairly affordable. Many that I saw were in the $40-70 range (but some go over $200 for the more-coveted colors, like red and bubblegum pink).

 

I wonder if my nieces, who are growing up always knowing a cell phone, will want one once they are on their own in a few years. I kind of hope so; I’d probably even gift them one for the fun of it. I’d like to call them and have them hear my voice in the same way I used to hear the voices of my relatives and friends. Through an object that only did one thing, but gave many layers of meaning and feeling.