Here's the nudge you've been waiting on. Go ahead. Give yourself a little break today.
My daily and weekly to-do lists run off the page; I'm sure most of yours do, too. I so seldom decide to clear some time in my afternoon for a slowdown, but I knew when I woke this morning that it was just what I needed to rejuvenate my artistic well.
For an hour or two, I'll continue to play with my photos and maybe start some poetry or prose, too. And perhaps read or listen to music.
Even if you can only squeeze in twenty minutes and you schedule it in for tomorrow or a weekday or an evening after work or at 4 am before work, give yourself the gift of a pause to daydream, create, nap, listen to music, reflect, take a walk, take up space.
You, too, deserve an unexpected respite. 🥳 #artistslife #artistslifeforme #createeveryday #rejuvenate
My Silhouette Portrait Published in Suspended Magazine & Giveaway Reminder 📸🥳
Very pleased to have one of my photos, “Open Space Silhouette Portrait,” published in the current issue of Suspended Magazine. Check out the issue, and consider submitting poems, art, or short fiction to this amazing literary magazine: details here.
More insights from the magazine about my photo: “I’m interested in the numerous exciting permutations portraiture and self-portraiture can take. From precise likenesses to figures that could be a stand-in for almost any character or human form, the possibilities when documenting the self and others are encouraging for photographers who wish to explore. I took this self-portrait using a Nikon 35 mm DSLR, creating a window reflection and then playing with filters that introduced light leaks that offered a compelling interplay between buoyant, yellow warmth and movement against deep, calm shadows of introspection and stillness. I’m intrigued by how the finished photo suggests both anchoring and spaciousness.”
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Also, just a reminder that Women on Writing’s Thankful for Books Giveaway runs up to November 20th! 🍂📚
Copies of my book, From Promising to Published , will be part of the prize packages for three lucky winners.
Read more and enter the contest at: Thankful for Books Giveaway!
🍂Enter the Thankful for Books Giveaway 🍂
Super excited to participate in Women on Writing’s Thankful for Books Giveaway, starting today and running up to November 20th! 🍂📚
Copies of my book, From Promising to Published , will be part of the prize packages for three lucky winners.
Read more and enter the contest at: Thankful for Books Giveaway!
Good luck, and happy reading! 🍁📔
My Photography Chosen for J. Mane Gallery's Juried Exhibition: "Eat" 📸
I’m so pleased that 5 of my photos were chosen as part of J. Mane Gallery’s latest juried exhibition. The theme is “Eat.” Among them are these 2 photos that were so fun to take and make. 📸😊
See my other 3 photos and all of the amazing art by talented artists at: J. Mane Gallery “Eat” Exhibition.
If you’re in the market for an awesome online writing class, check out my similarly themed Food Writing for Fun and Profit (starting Friday, October 6th).
To art and food!
"Four Reasons Food Can Spice Any Genres You Write" 🍝
Wonderful news! 🥳My article was published by Women on Writing today! Check it out, and then give the writing prompt a whirl. 📝
Four Reasons Food Can Spice Any Genres You Write
By: Melanie Faith
It’s just about autumn in the US, which is an important weather shift in the seasonal states. Humidity dissolves as leaves turn into a crayon-box bonanza of shades while it remains sunny, bright, and crisp enough for a walk in a cozy, knit sweater and a mug of steamy tea after. Another signal of the time shift is the shortening of days and the lengthening of my appetite.
While I enjoy eating all year ‘round, there’s something special about the chill in the air and the darkening of the evenings that increases my appreciation for sweet and savory flavors. Bring on the ooey-gooey cakes and breads, the creamy mac and cheese, the hearty, saucy spaghetti Bolognese!
No matter the season, the rituals of eating; snacking; food buying, storage, and preparation; meal clean-up; and food sharing surround our days and can be integrated into our writing to enrich our work. Let’s look at four reasons why adding food writing to our repertoire can deepen our writing:
Food connects us: Nothing reminds us more of our communities and the cultures we belong to than food. References to the recipes, meals, and snacks your protagonist grew up eating and still makes can provide shorthand for so many parts of your character’s background and life, including but not limited to her family of origin’s geography, socioeconomic status, and more. Certain foods will instantly be connected in readers’ minds with a particular state, region, cultural heritage, or country, while other foods and beverages are universal to many communities—which will give your readers other insights into how your unique character fits into a larger trend or social sphere or, conversely, how they might rebel against it. Including meals or restaurant scenes can also demonstrate how your character interacts with others, what she feels comfortable saying or not saying, what she wants to share in public compared to her private thoughts, and so much more.
Speaking of which, food can create both bonds and tensions: If one of your characters loves attending a weekly potluck she organizes and hosts once a month while another character lives for a quiet dinner for one at home to get away from the stresses of his day job and rejuvenates with the radio on while preparing couscous and a salad, you’ve already set up a way to show (rather than tell) extroversion and introversion. You’ve also set up a scenario where their differing styles could create conflict if these characters become friends, coworkers, family, or romantic partners. Characters can react strongly, or they might have inner hopes or misgivings about what is being served, about their dining companions, or about where the dining takes place.
Food is also often connected with larger social issues that deeply impact many people both locally and globally—such as food instability, hunger, and ever-rising grocery prices—that you can shine a light on within your writing in nonfiction, poetry, flash, novels, and many other genres.
Photo by Atie Nabat on Unsplash
Favorites and aversions make us each unique. Including small details about what your character loves and loathes eating can strengthen your characterizations. Just like all of us, characters can have detested foods show up in their lives and have to navigate their distaste quietly or verbally, or they can absolutely love quirky regional favorites that their friends and family can’t stand or refuse to try. Conversely, we all love to share our favorites, and sometimes these favorite foods are eagerly adopted by those we love, spreading the joy. Writing that praises, describes, humorously disses, or delights in foods can connect with your audience’s own experiences of likes and dislikes.
Try this exercise! If you write fiction: your antagonist has just invited your protagonist to dinner. Where will they go? What will they talk about? What is being served for dinner? If you write nonfiction, poetry, or other genres: jot a list of five of your favorite or least favorite foods. Pick one of the foods, set a timer for twenty minutes, and describe a time when you were served or served others this particular food. Use as many sensory details as possible to denote the food and reactions to it. Go!
Care to learn more? I have a few spots left in my Food Writing class that begins Friday, October 6, and I’d love to have you and a friend join in the fun. Details at: Food Writing for Fun and Profit.
Learn about Freelance Editing! 🌻
Do you love language and helping others make their writing clearer and more resonant with readers? Have you ever wanted to launch your own freelance editing business and wondered how in the world to break in? Then this info-packed webinar is the one for you!
I’ll be giving an online webinar on Friday, September 15 at 1 pm EST. Cost is $39 and includes helpful handouts, a presentation with oodles of tips, and a Q + A at the end of the session.
More info, and sign up today, at: https://www.wow-womenonwriting.com/classroom/MelanieFaith_FreelanceEditorWebinar.php
I’d love to see you there! 🥳
"Abounding Images: An invitation to Imagery Power: Photography for Writers" 🎉📸
So pleased that my article was published today as a Women on Writing Spotlight article. Check out the prompt I share as well:
“Abounding Images: An Invitation to Imagery Power: Photography for Writers”
By Melanie Faith
I found three rolls of brand-new film in a drawer earlier this week that I’d forgotten I’d purchased. It felt a little bit like unwrapping a Christmas gift to myself. Eager to head into the great weather, I took my ‘90s Canon Rebel outside for a few nature shots. The heft of the camera body nestled in my hands just right. Working with a physical, clicky dial to blur the background and focus on the foreground was like stepping back into a favorite pair of blue jeans—comforting and the perfect fit. Need I say that I took the rest of the roll and returned to my desk, smiling?
I’ve also been taking a lot of photos with my cellphone camera and find it a wonderful photographic experience, too. It is featherweight, and I can take as many pictures as I please. Cellphone cameras have come a very long way in the past ten years. Smart phones are equipped today with much better software and make sharper photographs than any of my first digital cameras. And they’re quite easy to use, and super handy. Rare is the person without a phone as a near-constant companion, which (of course) makes them absolutely the best for capturing inconspicuously as we go about our daily lives. And sharing cellphone photos is so easy it’s a dream.
Whether you prefer making photos with an old-school film camera that takes film or film cartridges, taking pictures with your cellphone, or a combination of both, there’s something meaningful and meditative about the art of photography. Much like the craft of writing, we begin to see our surroundings, our daily lives, and even ourselves a bit differently, a bit better in some ways, by taking the time to focus on elements we might previously zip past on our way to the rest of our appointments and to-do lists. The fact that no two people see the same images in the same way nor interpret them in the same way enhances our development as artists.
Making a photograph, like making a poem or a short story or a song or a chapter in a novel or an essay, is deeply personal. We have so many options that it’s exhilarating. We get to choose the subject. We get to choose the angle we take the image from. We get to choose the crop or zoom of the photo. We get to choose if we print the photo to make it a physical object in the world or if we keep it a digital file. We get to choose if we make the photo part of a series on a subject or if the photo is a one-off and stands alone. We get to choose light source and time of day and if we scan or upload the photo to software to alter its hues (hello, black and white!) or shoot in black and white mode or with b & w film.
It is in making these choices, often intuitively and in quick succession and very frequently learning and experimenting as we go, that we grow in other art forms as well.
Thinking about making a better photograph certainly continues to influence and encourage my poetry as well as my prose. Photography, much like writing and other art forms, focuses on the importance of the image, the resonance of created expression, and the great fun and challenge when we take the world as we experience it and offer a new creation that very likely will connect with other people who themselves make writing and other art.
There’s no prerequisite needed, and I’ve had students who made visceral, beautiful, jaw-dropping photos from disposable cameras, phone cameras, underwater cameras, instant cameras, pinhole cameras, film cameras of many makes, and even from photosensitive photographic paper.
The field of photography is wide open to individual interpretation and vision. Begin where you are, with that little “Hmmm, that’s interesting” when you’re out on a morning walk, and see where it takes you. One snap, one click, one moment documented at a time.
Try this prompt: Make a photo today of an object someone else uses every day. Aim to show a special quality about this object—whether its shape, its size, its hue, its placement in the home or outside, or some other quality. After taking the photo, either write a few sentences describing this object, why you chose it, and who uses it OR create a character who uses this object and write about that character for fifteen or twenty minutes. What would happen if the character reached for the object and it was missing? Go!
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My online class Imagery Power: Photography for Writers starts Monday, July 3rd. Sign-ups open: to register, clickety-click!
I also wrote a fun craft book called Photography for Writers that’s packed with photo tips and prompts, sure to get your writing and your camera inspired. Get a signed copy here at Etsy or through Amazon.
The Power of Simple Joy, Camera Doodle, and Photography for Writers📸
This afternoon, I’ve given myself a few hours to rest. I started with some reading, some writing, then an afternoon nap, then some doodling, and now this post.
May has been bouncy and active in a good way, and it’s always refreshing to work in little pauses whenever possible for the simple power of joy—you know, those hobbies or spaces of free time that are the first to get shoved aside in a busy schedule.
Photography is certainly one of my places of simple joy. So is doodling, so I combined them and worked on this perfectly imperfect doodle of one of my film cameras, the Canon Rebel K2 I got for a song in 2019 or 2020 online.
This summer, starting July 3rd, I’ll teach one of my favorite online courses, Imagery Power: Photography for Writers. Just looking at this camera reminds me of the creative fun that awaits in the class—in which students are free to use any kind of camera (or a mixture of cameras) they fancy, from cellphone cameras to digital cameras to disposal cameras to photosensitive paper, to make their own photographic images and then write about them.
I’ll use this handy-dandy book, Photography for Writers, that I wrote as a class text and also have just written some new prompts that’ll be fun to take for a test spin. Teaching the class also inspires my own photographic process, and I’ll be doing the assignments alongside my students.
Have some time this summer? Care to tap into some simple photographic joy? No previous photography experience necessary. I’d love to work with you and a friend. Sign-ups currently open! More details: Imagery Power Clickety-Click.
As we think about summer, the time is perfect to pause and think about how to work in a little more time here and there, a little more time this week or as soon as possible, for these little pauses that bring you joy. To summer and much happiness ahead!
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If you’re looking for an online class to jumpstart your creativity later in the year, I also have these two courses coming up:
Food Writing for Fun and Profit (starts October 6, 2023, 5-week class; sign-ups open)
Poetry Publication in Songs of Eretz! ✍️
I’m so pleased to announce that a poem I wrote about roller skating was published today in Songs of Eretz Poetry Review’s Spring 2023 issue! The theme is “Growth.” It’s also a great joy to appear in the same issue as my dear friend, Charles. Follow the linky-link to check out the issue, filled with poetry and photography by many talented artists.
A splendid way to start National Poetry Month! To all of the poems we’ll read, write, and celebrate this April!
New Notebook, New Season, New Doodle📝
Starting a new notebook—this little 5 x 7 beauty was a whole $1.25—is always a good feeling for me. Potentiality on each page. I’ve been experimenting with different types and sizes of paper for my doodles.
Last night, right before sleep, I broke out my new notebook, my 0.7 mm lead pencil, and my colored pencils and made an outlined sketch of a photographer. It was a peaceful, simmering hour as I drew a preliminary/reference sketch on scrap paper, opened the second page of the notebook (I often skip the first, as it sits a bit askew in the binding), and then started this drawing.
Filling in the figure was a particularly pleasant part of the process as well—colored pencils force a kind of quiet contemplation and over-and-over-and-over patience that slows my thinking and flashes me back to childhood hours quietly coloring or writing.
It’s probably not surprising that I would choose to draw a photographer in motion. One of my other happy places is photography (a few years ago, I wrote a book that combined my writing with my photography practice and tips, Photography for Writers).
Much like when writing, when I’m behind the lens, the daily drops away. I like the challenge of making what I see and how I see it into a composition. I like that it’s not an easy process nor a process I can take for granted or even a process that I fully steer, but that there are many do-overs available—as many as I have time and inclination to make.
Mostly, photography is a place of rare transcendence where the world slows and I make my thinking and my seeing into something at once me and not me. It’s a good space.
This is my first go-’round with sketching what I’m calling a silhouette portrait. Kindly ignore the erased shoulder and erased original feet, which I only realized after pondering them were pointing in the wrong direction from her body’s stance along with the smudge at the bottom of the page by the date. We’ll just call those markers of authenticity.😁
I have to say, though: I was a little surprised that one or two elements of this drawing felt to me like what it feels when I’m behind my camera: a liminal in-between space that just is what it is and unfolds as it should (if, frequently, not as I would have originally imagined).
Or maybe this is just my fancy-pants way of saying I couldn’t believe it actually sort of resembles a human and not a stick figure. 😆
The little notebook says “Plan” on the cover, but as we know, there are many things we simply cannot plan. Mostly, we can move, slowly, in a slightly new direction and see what happens, and then repeat the process as the happening unfolds. Drawings, photographs, writing, ourselves—all unfolding.
