My craft article was published at Women on Writing today. Enjoy! :)
“3 Tips for Developing Theme within Poetry”
By: Melanie Faith
I started as a fiction writer before discovering the wonders of poetry at the grand age of 17. (Thank you, Mr. B!)
One quality shared by resonant poems I read in literary journals, anthologies, and from my students' pens is a strong theme.
How can we explore theme to deepen our own poetry?
1. Imagery is where it's at. As poets, we are all about compression. Can we say it in fewer words? Can those few chosen words be rich in the five senses? Can the chosen diction include a symbol for a bigger idea? All of these questions help lead us to imagery that razzle-dazzles our readers.
If I wanted to write a love poem about tentative love, it's unlikely my readers will be as stirred by my flat-out stating, "We were on-again, off-again," as they would with a simple mention of a flickering candle on the windowsill.
Imagery is economical and meaningful. It also creates vivid pictures in your readers’ minds that they’ll remember long after reading your work and, in many cases, invite them back for further reads.
2. Characterization and setting can get the job done. I hear a boatload of discussion in fiction and nonfiction classes about creating realistic characters, and for good reason. This same technique can be applied to poetry to create fantastic engagement from readers and underscore your theme without the dreaded (drumroll, please) telling instead of showing [shiver].
Writers can create poems from numerous characters’ POVs to underscore theme. Persona poems develop a narrative and can be read as individual works of art, such as Robert Browning’s “My Last Duchess,” or paired together to develop a longer narrative, conflict, and/or setting. Great examples include Edgar Lee Masters’ 1915 classic Spoon River Anthology, Traci Brimhall’s Saudade (2017 Copper Canyon Press), and poems in my most-recent collection, This Passing Fever (2017 FutureCycle Press).
Paired poems may move back and forth through time and setting (as they do in Brimhall’s work and my work) or remain in one town or place (as in Masters’ collection).
3. Subtlety is your friend.
Sometimes, once we have chosen a theme for our poem, we excitedly write lines that spell out our meaning with all the charm of a doornail. For instance, using the word “grieving” and “died” in a poem whose theme explores death, or stating “flowers always make me happy” in a poem about the therapeutic powers of gardening.
Many poems I see that run off the rails do so when poets begin to explain (or over-explain) rather than trusting readers to intuit the theme on their own.
How can we provide clues for our readers so that they will be sure to deduce the theme?
Glad you asked: figurative language aplenty. Figurative language is understated yet satisfying. Similes and metaphors are often great indicators of theme. As are usage of symbols and imagery. Incorporating sound effects, such as words with hard d sounds for dramatic or tense themes or words with soft m or n sounds for quieter or peaceable themes, can other excellent thematic indicators.
Try this prompt: Choose a poem where you have stated part or all of the theme directly in your poem. Make a list of three images, symbols, characters, or settings that could highlight your theme instead. Pick one detail from your list and, after omitting your theme-stating line, add in details related to your chosen image, symbol, characters, or settings. Compare drafts.
Looking for inspiration to jump-start your Muse in early 2019? Have I got a class for you! Vigorous and Vibrant Verse: an Online Poetry Workshop.
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