Want to Teach Online? I've Got You: Craft Article Published Today at WOW!

“3 Exercises for Launching an Online Writing Class for Profit and Enjoyment”

By Melanie Faith

The Timing has Never Been Better to Teach Creative Writing!

The field of teaching creative writing online has flourished in the past decade. When I started teaching online classes, most universities and colleges didn’t offer any online courses and I didn’t know a single freelance writer who did, either.

Happily, in 2020, the tide has turned and opportunities abound for educators who are passionate about their love for writing.

By the way: it’s not a requirement to have taught English for years offline in public schools or to have published a book before sharing what you know with eager learners.

If you’re organized and communicative, enthusiastic about self-expression, and motivated both in your own writing practice and to direct other writers in theirs, there is sure to be a program to fit your teaching goals (or you’ll create one!) and students keen to study with you. Read on!

Why Teach Online?

The vast majority of my teaching is now as a freelancer online instructor and professor, and I love it! Let’s look at cool pros to teaching online.

A highly-flexible schedule. As a freelance teacher, I am free to go to lunch with a friend or to grade at 2 in the morning without waking at 7 am to report to a brick-and-mortar classroom.

Most classes are asynchronous, meaning that students and teachers literally can pop by any time of day and night to leave and answer messages and download/upload content, so teachers and students can communicate at 4 am in their pjs if they want.

Many online programs, including Women on Writing, offer great instructor freedom to choose texts, a class topic, and to develop a course and hand-pick or write handouts of our own choosing. This support for unique and individualistic course content inspires instructors as well as student writers.

Community building with fellow writers. I regularly make friends with creative writers from all across the world who share many of my same writing and life goals, including keeping my writing and publishing life active and lively.

       
The pleasure of making another writer’s path more-informed and supported. Much of what I learned about writing and publishing during my first ten years as a creative writer was through my own slow process of blunders. It’s very rewarding to offer fellow writers advice, and then to see them and their writing make their own pathways to editors and readers.

Motivation for my own work. Nothing keeps me engaged in my own writing process like encouraging others in theirs. As I often tell my students and clients: “We’re all writers in this writing journey together.”


Get Started Today! 3 Helpful Exercises

As you begin to consider writing topics you might teach, here are three thematic questions to get your wheels turning about the kind of class you might offer and the unique skills you will bring to an online classroom. Consider answering each question as a free-write, setting a timer for at least fifteen or twenty minutes for each question.

1.     What genres have you written in the past five years?  What style or genre of writing has most
inspired you recently? List any books (such as craft books about writing, novels, poetry collections, essay anthologies, etc.) as well as writing websites that might be fun to share.

2.      What excites you most about the opportunity to teach online?  List as much as you’d like. Pinpointing the qualities that encourage you will integrate this zest into your online classroom preparations, creating an environment where writers flourish.  

3.     Write a paragraph to introduce yourself to your ideal student. Describe what brought you to teach this class online and something about your writing journey. Feel free to share a dream for your own writing. Then, ask your delightful ideal student two or three questions you’d like to know about them. 

This exercise is one I wrote and offered to a client who was considering teaching online, and he found it very insightful to his writing process and to picturing his targeted class audience.

Over the course of a few days, your answers will point you in exciting directions for your genre, class topic/theme, and potential texts for a future course.

Students in my Creating an Online Creative-Writing Class for Fun and Profit course  will flesh out this list with several other questions, consider what to charge, write a course description and instructor bio with personality, and complete a syllabus (and much more!) for a class that they can pitch by the end of the four-week course. 

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"Four Qualities of Authentic Writing" Craft Article Published at WOW Today :)

“Four Qualities of Authentic Writing”

By: Melanie Faith

I read 99 books for fun in 2019. If you’re an avid reader, too, you probably identify with the joys of reading when the minutes dissolve and the pages just keep turning and turning. Conversely, you probably also recall books that plodded so sloth-slowly that you kept counting the number of pages left to the end of the chapter.

As writers, we want our work to have all of the former’s pizzazz and none of the latter’s plodding.

What makes the difference between writing that flows and excites readers compared to writing that falls flat and bores? Authenticity, my friend.

Just like making friends is all about connection, so too writing that resonates creates a bond between author, writing, and reader/audience.

While defining authenticity within prose can be a little bit like getting gelatin to stick to a wall, there are still definite patterns to authentic writing.  We can apply these qualities as a litmus test to gauge the authenticity in our own drafts: 
       
Authentic writing includes imagery that makes the personal universal.

We all have many emotions and experiences. Boring writing tells us explicitly the name of the emotion, such as “He felt happy” or “I was mad.” Vibrant writing, on the other hand, suggests those emotions and experiences with specific visual images or symbols that express ideas subtly.

Many authors, for instance, use color imagery numerous times within a scene to underscore feelings or experiences, such as blue for sadness, green for security or growth, and red for passion or anger. While we are all individuals, we’re not as individualistic as we might at first think.

As Henri Nouwen and psychologist Carl R. Rogers once said, “What is most personal is most universal.” Authentic writing capitalizes on this knowledge to demonstrate our collective joys, struggles, shame, and healing.

       
Authentic writing tends to be understated, rather than overstated.

Ever read a paragraph that was over a page long? What was the result? Probably skimming over or through the paragraph and yawning. Lots of yawning. Rambling writing is the equivalent of the new friend at a party who expounds about everything at great length while listeners look longingly for the nearest exit.

Authentic writing doesn’t meander. It doesn’t cram everything but the kitchen sink into the paragraph or page, either. Instead, it has a theme and a point it wants to communicate to readers and omits details that are off-topic or redundant.
       
Authentic writing writes through, and not around, a subject. We’ve all read through paragraph after paragraph to get to the big revelation of an article or chapter or novel, only to have the author back away from the topic or to take a left-turn after barely any revelation at all. Talk about frustrating! Evasions don’t tend to endear people to each other, whether in person or on the page. Authentic writing includes elements of bravery.

Authentic writing risks something on the page. Authentic writing doesn’t hint at bigger analysis ahead and then offer the reader little or no fleshing out afterwards. Yes, there are many topics that are terribly scary to express and which take great courage to share with readers, whether through a character’s POV or our own.

On the other hand, risk earns readers’ respect; even if they don’t always love what the author writes, they find deflection and barriers worse. One reason readers read is to find connection (“I’ve thought that/done that, too!”); abruptly backing away from a topic or theme you’ve set up is a fast way to alienate readers and friends alike.  


Authentic writing has focus and a take-away without cliché or overly-easy advice or
solutions.

Authentic writing conveys a point without hammering it out by being repetitious. Readers tend to find repetitious writing boring or, worse, self-righteous and sanctimonious; authentic writing, on the other hand, subtly provides a purpose or a take-away and then moves on swiftly for the reader to think further about the topic on their own.

Trust your reader to make personal meaning based on the literary devices you’ve skillfully crafted and move on, to keep the pace popping.

Practice more authentic writing in my online class, beginning Friday, March 13th. Sign-up today!

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Like Writing down the Bones and The Artist's Way?

Just in time for NaNoWriMo! If you liked Bird by Bird and other craft books, check out In a Flash and these nifty videos my awesome publisher created.

Writing down the Bones style

Writing coach and publishing advisor style

Invest in your writing today. All three titles in my Flash Writing series are now available, including the pre-order for Photography for Writers.

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Pre-Order Photography for Writers Today!

Thrilled to share the news that my next book, Photography for Writers, is now available for pre-order! Check out this AWESOME video that Vine Leaves created, featuring my book and some of my photography.

Pre-Order Video

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Photography for Writers-- Holding the First Print Copy :)

Super excited for my next book, Photography for Writers, which will be published this November. Stay tuned!

That holding the first author copy feeling! 💕🔥📝📷😭😍💡

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"Food Writing: Introducing the Quotable Yum Factor" Article Published :)

So pleased that my article was published as a Spotlight article at Women on Writing this week. I’ll also be teaching a themed online writing class in September (scroll to the end of the post for the link to the course and more details).

“Food Writing: Introducing the Quotable Yum Factor”

By Melanie Faith

I’ve been a quote collector from way back. I can’t help but relish words of wisdom on the topic of food that demonstrate not only eating but also sharing our love for nourishment through writing is just about the best thing since, well, sliced bread.

          Why food writing? you ask. Let’s take a look at three quotes that explore just why food writing sustains and entertains writers and readers:

 

·        “First we eat, then we do everything else.” -M.F.K. Fisher

 

Think back to some of your first memories; most of these remembrances likely involve food, food preparation, eating, snacking, or all of the above . Do these memories involve a birthday party? There was certainly cake with decadent, butter-rich icing or the waft of cocoa powder at the first slice. What about memories of a yearly special occasion shared around the table with family and friends, like the first savory bites of Grandma’s Thanksgiving stuffing with the pecans and what was that delicious spice she always winked and called her “secret ingredient”? 

Food has an undeniable connection to place, culture, and time period that can inspire evocative writing. We often recall not just what we ate and how it tasted (which is a sensory feast enough) but who we were with (or not with), the location, and other events that were occurring while we noshed.

Food brings both comfort and spark points for poetic prose and narrative verse.   Try this: set a timer for fifteen minutes and make a list of foods or dishes from your growing-up and teen years and your young adult days. Any of these foods could make great material for a free write, because they are connected to wider experiences and places in your past or present.  Combine setting details with food details for a richer mixture.

 

·        “Life is uncertain. Eat dessert first.” -Ernestine Ulmer

 

Feel the push-pull in the above quote? That’s part of what makes it delicious, non? Tension and conflict, two hallmarks of literature, are perfect companions for writing about food as well.

As a creative-writing teacher and bookworm, I’ve read many scenes

in novels and nonfiction manuscripts where food served as a backdrop or symbolism for the deeper struggles in characters’ or speakers’ lives. 

For example, you might combine a protagonist who is scared to tell his love interest something about his past with a breakfast scene in which he prepares his love’s favorite waffles. How does he avoid telling this truth, using the food as a go-between? How does he work himself up to sharing this secret? Dialogue as well as description of his actions and the food all work together to deepen the writing.

 

·        “I have made a lot of mistakes falling in love, and regretted most of them, but never the potatoes that went with them.” -Nora Ephron

         

Mistakes in life and/or love, who hasn’t made some? Ephron’s quote reminds us, as writers, to employ wry humor as we look back on our pasts. It also reminds that, as disappointing or frustrating as things became, there were silver linings that sustained us.

Cooking and writing, too, share the need for a healthy sense of humor and a silver-lining attitude. Ever made a cake, following the entire recipe, but the cake fell flat or never rose at all. [Instructor raises her hand.] Ever written a draft that seemed so promising and then either stalled mid-draft or just didn’t go in a direction you expected? [Instructor’s hand again goes up.]

Food writing has two great strengths: one, there is the opportunity for humor (perhaps something unexpected, non?). I’ve read hilarious blogs and essays where a writer takes a kitchen disaster or restaurant meal gone wrong and serves up a wider truth about how we rebound and try, try again.

Also, food writing encompasses many, many genres. Its versatility is part of the reason why I love writing food scenes and, for several years now, teaching a writing workshop to encourage others to do so.

·        Like poetry? Try “Figs” by D.H. Lawrence, “Ode to the Onion” by Pablo Neruda, or “After Apple-Picking” by Robert Frost.

·        Enjoy personal essays and food-journal articles? How about anthologies with both? Try the annual The Best American Food Writing books for inspiration.

·        How about travel writing? Yep, food writing also falls under that category, such as blogs that detail the best bistros and taco trucks in your town or city.

·        I haven’t forgotten the prose writers. Many novels include scenes or even whole chapters where food plays a significant part in the narrative. The examples and sub-genres of fiction that involve food are endless, such as: classics like the party scene in Fitzgerald’s The Great Gatsby to children’s books like  Cloudy with a Chance of Meatballs and Charlie and the Chocolate Factory, YA like Stephanie Burgis’ The Dragon with a Chocolate Heart, Contemporary Fiction like Kirstin Chen’s Soy Sauce for Beginners, Romance like Yolanda Wallace’s Month of Sundays, Historical Fiction like Crystal King’s Feast of Sorrow: A Novel of Ancient Rome and Philip Kazan’s Appetite, and many more.

 

Go ahead: do a little “food-writing research” today. Pick one of the above food-writing genre examples and research and/or read the piece(s). Then, give food-writing a go on your own. Whether in poetry, prose, or a combination of both, your writing is sure to be richly filling and enhanced with eating imagery.

I’ll be teaching an online writing class, beginning Friday, September 13th. Just four more openings left. Click for more details about this delicious course. Food Writing for Fun and Profit.

 

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