"Raising the Stakes in Flash Fiction" Published

The fine artistic folks at Nunum just published another of my craft articles! Check it out: "Raising the Stakes in Flash Fiction." 

 

They also feature great work & interviews with visual artists, such as Jon Fox, other articles about flash fiction (such as this one by Amie E. Reilly: "So What if You Don't Get Anywhere in a Flash"), as well as writing submission interviews (such as with literary luminaries Duotrope) answering the insightful questions: "How much do you want to know about the person submitting to you? and "If you publish writing, how much of a piece do you read before making the decision to reject it?"

 

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Image by: Andreas Fidler, www.unsplash.com

It's All about the Tropes, My Friends! My Craft Article Published

My craft article about creating artistic imagery using tropes appeared at Women on Writing today.  

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Image by: Jose Alonso

www.unsplash.com

 

"Tropey-Dokey: Enhancing Imagery with Tropes" 

By: Melanie Faith

 

          12:30 in the afternoon was a sacrosanct time for my grandma and my mom. It was the starting time for their favorite soap. As in their “stories.” Month after month, year after year, from two houses a half-town apart both of which used rabbit-ear antennas so popular in the ’70s and ’80s, they tuned in five days a week. Eagerly, they followed the unfurling complications of characters both glam-tastic and down-on-their-luck in a fabled city that had the same name as a European city (which didn’t hurt the appeal).

Okay, so sometimes the plot lines were admittedly fantastical—amnesia and never-before-mentioned twin siblings, anyone? Still, the protagonists (and often the rascally antagonists, too) were likeable in their emotional conflicts and botched intentions.

          Soap operas— like most novels, visual storytelling such as photos and movies, and plays— are based on comforting tropes, you know: those recurring motifs and literary devices that we can often foresee but still wait around to watch how it all shakes down anyway.

Unlike learning calculus or molecular biology, we don’t have to strain to notice bits and pieces of what it’s like to struggle and to celebrate human foibles and small triumphs within the characters whose lives unfurl scene by scene, even if our own lives don’t involve heirs/heiresses, ballrooms, or jet-setting.

Lest you think soap operas are solely low-brow and cheesy escapism, think again: tropes can be traced as far back as the ancient world. In Classical Greece the term meant “turn,” and is still used in modern Deconstruction Theory. Aristotle, in Poetics, discusses common tropes in tragedies and epics.

The important part about tropes is that viewers, readers, and artists all relish patterns. Also, these recognizable patterns can lead to some wonderful extended narratives. I’ve seen many photo series based on developed tropes from fairy tales and other imaginative and recognizable patterns.

In short: tropes, my friends, are our friends.

It’s not rocket science, but that’s not usually what we need from the art we enjoy or the art we create-- art is the balance of tension between the familiar and the human need for escape from drudgery. Resonant art has elements of the recognizable as well as elements of transcendence.  Too much of one over the other leaves us cold, with no connection to the material. Too little of both, and it likely won’t catch much less hold our attention in the barrage of sights, sounds, and events flooding our days.

Tropes might seem a shortcut, but they provide a meaningful jumping off point for riffs on numerous human experiences.

 

Timeless recurring tropes explored in the visual and written arts include:

·        Misunderstood or conflicted protagonists, commonly in youth but occurring in other life stages, too

·        Changes of personal or group identity, mistaken identity

·        Changes of locale/geography, escape

·        Love gained, love in trouble, love lost, love regretted

·        Death and the dying process

·        The un-suppressible secret

·        The unexpected accident and its aftermath

·        Retribution/Payback (whether delivered person-to-person or on its own)

·        Changing seasons—both geographic and internal/metaphorical

·        Rescue—of others, of self

·        Reunions of individuals (former friends, former enemies) or groups

 

Try this Prompt! Pick three of the above tropes. Jot ideas for ten minutes, without stopping to censor yourself, for how you might express these common tropes using your own unique talents and photo-taking skills.

 

Also consider locations or backdrops and possible props or subjects you might incorporate into each of the three tropes.

 

Compare and contrast the notes you take on your chosen three tropes. Cross out the most-cliché or obvious description of the three, and pick one of the other two tropes to make into a photo session or a photo series. Go!

 

******

My "Photography for Writers" online class starts on September 21st. I'd love to get to work with more creative, inspired folks.

No previous training with a camera necessary (you can use a camera phone or any other types of cameras you might enjoy).

Guaranteed to inspire your Muse and enliven your written imagery as well.

More details about the four-week course: "Photography for Writers." 

 

 

Poems from My New "Self-Portrait of the Author as..." Series Published

Wonderful news. I have two poems from my new series appearing in two literary journals this summer.

"Self-Portrait of the Author as a Silent Movie" appears on page 28 of The Meadow's annual issue, and "Self-Portrait of the Author as a Paperclip" was published on page 69 of Fredericksburg Literary and Art Review (FLAR).

FLAR

The Meadow

 

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Announcing-- Poetry Power: An Interactive Guide for Writing, Editing, Teaching, and Reflecting on the Life Poetic

SUPER excited to announce my Poetry Power: An Interactive Guide for Writing, Editing, Teaching, and Reflecting on the Life Poetic. Check out its awesome cover, and many thanks to Jessica Bell and Alexis Paige, my dream team at Vine Leaves Press. Can't wait for the October 26th release! 

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My Haiga Published in Daily Haiga

Recently, my poetry-and-photography combo art was published at Daily Haiga: an edited journal of contemporary & traditional haiga.

"What's haiga?" you wonder.

Glad you ask! See below. 

 

My haiga

 

I have another haiga in a forthcoming issue. Stay tuned!

 

 

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"Haiga (俳画, haikai drawing) is a style of Japanese painting that incorporates the aesthetics of haikai. Haiga are typically painted by haiku poets (haijin), and often accompanied by a haiku poem. Like the poetic form it accompanied, haiga was based on simple, yet often profound, observations of the everyday world. Stephen Addiss points out that 'since they are both created with the same brush and ink, adding an image to a haiku poem was ... a natural activity.'"    Source/Learn More:  https://en.wikipedia.org/wiki/Haiga

Craft Article: "Three Qualities of Good Short Stories.."

My fiction craft article appeared at Women on Writing today. Ta-da! Hope it inspires, and enjoy the prompt at the end. 

 

"Three Qualities of Good Short Stories (and Why You Need Them in Your Own Stories)"

By Melanie Faith

 

 

"The cat sat on the mat is not a story. The cat sat on the other cat's mat is a story."

--John le Carré

 

 

We've probably all had that experience where we read the latest edition of our favorite literary magazine and thought, Meh. What was so great about that piece? Editorial tastes aside, there are some key elements to making good fiction that transcend the names on the masthead. Let's take a look at a few elements that make a good short story.

 

There's enough conflict. Readers get invested in stories that have something at stake, both for the protagonist and for the reader. As in the John le Carré quote, merely having a character in a scene doing something isn't enough to generate and sustain interest. Just as our actions or refusals to act create ripples of effects in real life (Wonder about that? Don't pay your taxes, show up at your child's recital, or buy groceries: the reactions are sure to pile up speedily), your characters live in a setting populated with other people, places, and things and whatever they do or don't do has consequences aplenty. Consequences create the potential for conflict and increase tension in a story. Conflicts and consequences are good. Characters who do something (anything) in a vacuum: boring city!

 

We know who to root for and who not to. Ever read a story where there were so many characters that you weren't sure who you should focus on or what was the point of all of these characters being in the scene? Good stories might have a few characters, but it's clear who the protagonist is and isn't. Same goes for the antagonist, which may be a person but doesn't have to be (in man vs. nature stories, for instance, a storm might be the antagonist). Every action/reaction, snippet of dialogue, and description must support the reader knowing who the main character is and who works against the main character. All other details (or characters) can either be edited out of the story or need to be pared back to supporting status for the protagonist's journey.

 

They have a clear setting--which just may prove significant to the character's quest. Just like us, your characters exist in time and space. A character typing in a coffee shop in Smalltown, USA probably has a different life and set of goals than a character in a coffee shop in LA, Tokyo, Milan, or the moon (hey, this could be science fiction, right?). Remember that storm example a few sentences ago? Some settings, such as a character outrunning a tornado in Missouri, might be significantly impact by where the action of the story happens. Other times, the action of the story might have little to do with the conflict but it's important to create a scene in which your character breathes and moves through a landscape just as we all do. Keep in mind: characters don't have to like where they live (be that their city/town or their living conditions, such as apartment/condo/house/basement/friend's couch), but good stories need a place for all of the action of the story to take place. Otherwise, characters can become mere talking heads, doing a lot of thinking that could easily alienate readers who want to be grounded in place and time.

 

Try this prompt!

Take a draft of a story and let's flip the script: write a new story, making your antagonist your protagonist. What is the main conflict your new protagonist must confront? Who creates obstacles for this new protagonist? What do they want? Where does your protagonist spend most of their time? Make that the setting. How does the setting either support your new protagonist or work against them? 

 

Care to write more short stories?

Check out my May short-story class .

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My Photos at Nunum

I'm very pleased to announce that three of my photos appeared at Nunum's blog and Instagram this week, along with this insightful description of my photos: 

"Melanie Faith's photography captures the complex beauty displayed through the transitory play of light through the spaces in which we most often find ourselves alone with ourselves."

They also kindly made a mention of my book, In a Flash, and its release! 

Check out more of Nunum's awesome flash fiction and art and consider submitting! 

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