My article was published today at Women on Writing! Enjoy. :)
“Six Insider Tips for Poetry-Publication Success”
By: Melanie Faith
So you’ve been writing poems for months or years, and you’ve decided that you’d like to try for publication. Great idea!
You’re probably wondering where to begin and how to know which poems to submit. Here are some insider tips to encourage your poetry-submission process and to make it easier.
1. Put your best poem forward. Open your submission packet with your strongest poem. Make sure to edit that poem so that its first lines/stanza includes no warm-up or filler words. Grab the reader’s attention with an intriguing image or beautiful, meaningful language from the get-go.
2. Follow posted guidelines, to a t. Always check online guidelines (the vast majority of literary magazines have them posted, whether at Submittable or their personal webpage).
Many journals request three to five poems at a time, but there are some exceptions to that rule. Don’t send more poems than the maximum number listed; it would be a shame for your submission to be automatically rejected for not following instructions (I admit it’s happened to me more than once).
Guidelines will also include the specific genres requested (some journals only read prose, for instance, or they only read one specific genre per issue).
3. If in doubt—ask! What if you’ve written a prose poem, but that’s not listed in the guidelines? Or what if the submission guidelines don’t include a specific number of poems to submit? What if you’re wondering about simultaneous submissions? These are three excellent reasons to send a quick email to editors; I’ve certainly done so for these reasons and others.
Politely introduce yourself and list that you are a poet, ask your question, thank the editor(s) for their time, and include your email address and/or other contact information. Easy-breezy.
Do remember to respect their time: only contact them once; wait for an answer. Even a month isn’t too long to wait (remember that they often have hundreds of submissions per issue and busy lives outside of their jobs). Usually, though, you’ll hear back from editors within a few days or much less.
I’ve found editors quite generous with their time (many are also writers) and very willing to clarify or consider various types and themes of poetry even if they haven’t listed them directly in the guidelines. Just make sure, as a courtesy, to double-check and to send the query email before sending the work; never just assume you can send whatever you want.
4. Consider the poetry-publication process to be more of a marathon than a sprint. Adjust your (speed) expectations just a bit. Yes, I know— I’m also very used to the instant gratification of the internet. On the other hand, the pace of creating, editing, and submitting new poems is a slower, yet no less meaningful, art.
Set monthly goals for yourself (mine is to submit at least three submissions of poetry, photography, or prose per month, year-in-year-out), and then give yourself room to continue exploring your genre. Publication might not happen overnight (it’s not fast food or on-demand content), but it will happen. Keep submitting.
5. We’re living in an exciting time, where we can self-publish some or all of our content. You may feel free to share, from time to time, on your blog (or to guest blog) or on social media posts, but keep in mind that many online and print publications consider work published online anywhere as already published, and so it may knock that poem out of the running for submitting to literary magazines in the future. For 100% self-publishing poets that might not make any difference. For other poets, a more balanced approach might be of interest.
I’ve known writers who shared sneak-peaks of their poems or poetry-in-progress online to engage with readers, but they kept other poems for literary-magazine submissions, which is one great strategy for developing an audience while also pursuing publication. As you go, you’ll find a combination of withholding and sharing that works for you.
6. Continue to write and to develop your skills while waiting to hear back from editors and publishers. I started to submit work regularly around the time I graduated from college. I didn’t have the money to go to graduate school for my MFA right away, so for a few years I started my teaching career and kept writing in my free time while I also took a few other positive steps to continue to learn and to grow as a poet. I participated in open mikes and readings. I joined a writing group for a few months to meet others who were also on this poetry-penning path. I workshopped, both within a larger group and one-on-one with a new writing friend. I met some new writing pals online and we shared our work through emails. By the time, six years later, I had paid off my college loans and was able to apply to grad-school programs, I had steadily built my writing skills and had publication credits from several literary magazines.
Never underestimate the power of networking for growth as a poet. Join a poetry writing/reading group or start one in your community or online.
Take a noncredit poetry-writing class, again in your community or online at WOW!
Swap drafts with a poetry buddy once a month, to offer each other encouragement and helpful suggestions.
Read poetry journals and books online and in print to become aware of the markets for poetry as well as the work of your fellow poets.
Any or all of these suggestions will prove a great asset to your poetry-writing and -submitting processes.
Care to learn more? Consider my May class, Poetry for Publication: an Insider’s View. Here’s the scoop and skinny:
Thrilled that another photo from my In the Green series appears at Fourth & Sycamore today.
I took this photo during a very fun afternoon walk with the darling nieces and my marvelous sister while visiting Missouri.
The flower was taller than yours truly, which caught my attention. The dancing sunlight on the petals and path also appealed to me.
My craft article appeared today at Women on Writing. Ta-da! :)
“Break Out Your Cameras to Enhance Your Image Writing”
By Melanie Faith
For a year, off and on, I shot a series of photos called "In the Green." The series included many different subjects, some that you might expect (from an emerald, leafy landscape to the green whirls of a decorative cabbage I saw at a farmer’s market), and others that might surprise. A perfect example of the latter was the mint-hued upright piano I spotted at a craft store in the Midwest while visiting my sister one summer. Needless to say, I couldn’t let that piano, which also sported a giant ivory stencil of a splash of roses above the keyboard, go undocumented.
Not all of the elements in each shot were green—such as three clover-shaped skeleton keys I couldn’t resist from an auction—but I incorporated a Kelly green into the background.
Each image, several of which have been published over the past year, including in Fourth & Sycamore, includes at least one aspect of the color I’d chosen, which also happens to be my personal favorite. (A little trivia for you.)
My photography practice has enhanced my writing practice for years, and vice-versa. What can photography bring to enhance our writing skills on the page and screen?
- Photography is imagery-focused, just like writing. Do you like to take photos of your family dog or cat? How about landscapes? Or food shots from restaurants or your own kitchen? What about your children or grandchildren? Or sports? In each of these types of shots, and more, there is a subject in your composition that you zero in on, to the exclusion of other details in the shot. The same is true for our writing. In our writing practice, we narrow down the subject we’d like to explore and the best genre to explore it (poetry, nonfiction, fiction, and flash, to name a few options).
Just as in our compositions we decide if we want to take a long, wide view (as in a landscape) or the close-up view (as in a macro or micro shot), in our writing, we make choices about how we will present the protagonist(s) or antagonist(s). What will be their main motivations? What action will be the catalyst for beginning the story in conflict, in media rest? What word pictures will bring to life the tone and theme in our poem?
- Photography evokes numerous senses within visual imagery, just as good writing does. No, we don’t have scratch-and-sniff photos yet, but a great photo of a box of popcorn triggers our memories and associations with the scents and textures of popcorn just as multi-sensory imagery in prose or poetry within the minds of readers.
- Photography teaches us about connections, symbolism, and resonance. Just like in our writing, in photography there’s the surface subject—perhaps a platter of enchiladas—and then there’s the deeper meaning of the picture—your grandfather taught you to include a lime wedge to garnish them and so you always make yours with limes at the ready. The evocative personal and background details in such a shot will influence not only why you chose to document your delicious dish, but also will affect the way that viewers approach and appreciate the composition, even if they don’t know 100% (or any) of the backstory. Good photos, just like good writing, reveal key, carefully-selected details that draw in the audience.
- Photography, much like writing, is self-expressive and just plain fun. It can be easy, amidst craft talk, to forget that there’s a magical and exciting sense of exploration in both art forms. Many times, I’m surprised and entertained by the subjects and themes that both my lens and pen create and how much they share in common.
Try This Prompt! Choose a color from the ROY G BIV spectrum (red, orange, yellow, green, blue, indigo, violet). Make a photo every day for four or five days of something with this color. Warning: it’ll only take a day or two until you notice the color everywhere.
Feel free to use the camera on your phone, if that’s easier than hauling around a larger camera.
On the last day, use one of the images from your photos as a prompt to kick-start a new poem, short story, scene, or essay. Include unique descriptions to denote each color in your writing. Thesaurus.com is a wonderful resource for hue synonyms.
Consider continuing to take photos in your series for as many days or weeks as the idea appeals, and then repeat this exercise as often as you’d like with a piece of writing inspired by your new photo compositions.
Need more inspiration? Consider my upcoming Imagery Power: Photography for Writers class.
My spotlight article was published today at Women on Writing. Enjoy!
“Three Reasons Why Flash is the Genre for You”
By: Melanie Faith
Don’t let the small size of flash fiction and nonfiction fool you—there’s a ton to recommend this little-genre-that-could.
· Got sci-fi? Got a personal essay? Got romance? Got magical realism? Great! Flash is diverse in subject matter. Just like its longer contemporaries, flash is a hot genre sought by many markets. I’ve seen seeking-submission ads just this week for flash fiction in anthologies, magazines, and for conferences. One market sought speculative fiction, which includes science fiction, fantasy, magical realism, and slipstream subgenres. Another market asked for flash memoirs, romance, horror, adventure, and cowboy tales. Still another market seeks environmental and travel narratives in flash. I’ve seen (and submitted my own flashes to) markets for humorous flash as well.
Both fiction and nonfiction flashes are prized by editors, so whether you like to write about yourself or to create characters, there’s room in flash for either. Or why not try writing flash in both genres? In my craft book, In a Flash! Writing & Publishing Dynamic Flash Prose , I offer oodles of practical tips and prompts for exploring and marketing flash in fiction and nonfiction.
Clearly, just about any topic you could spend a novel, novella, (auto)biography, or short story writing about can translate well as a subject for flash, too.
· Another advantage of flash is that most markets want multiple flashes at once. This is great news, because if they want three or five stories at a time, then you have three or five chances to wow them. Include what you think is your strongest flash first in the submission packet. Not sure which is your strongest piece? Ask a friend which piece stands out to them.
· Worried about not having enough plot development within such a small space? No worries. Many of us writers are already used to writing texts and Tweets. Trying our hands at flash in its many styles should be a snap.
Flash is economical but also has wiggle room to fit any plot. While the top word-count for flash is often set at either under 1,000 words or 750 words, that’s not the only length markets seek for flashes they publish.
Ever head of the “drabble?” That’s a flash of exactly 100 words. There’s an excellent book by Michael A. Kechula, called Micro Fiction: Writing 100 Word Stories (Drabbles) for Magazines and Contests , that details more about how to write and submit these 100-word gems.
There are also fifty-word stories, two-sentence stories, and even six-word stories (you read that right). I’ve seen contests and literary magazines, like Narrative Magazine , that seek six-word stories and often pay for them.
Whatever subject, style, or word-count works for you, there’s sure to be a market eagerly awaiting your flash submission!
Want to learn more?
Check out my upcoming online workshop that begins on Friday, March 15th. Here’s the scoop and the skinny:
Signed copies of my book for writers that is chockfull of great tips and examples for nonfiction and fiction flash writers, In a Flash: Writing & Publishing Dynamic Flash Prose, available at WritePathProductions.
A sale book bundle, of both my flash- and poetry-writing books, is also available for book lovers at Etsy.