Curious about the impact of writing notebooks in the life of authors? Want some tips on how to keep a submission notebook?
My craft article was published at Women on Writing today.
"Image Power: Click-Click to Enhance Your Writing"
By Melanie Faith
"The camera is an instrument that teaches people how to see without a camera." ~ Dorothea Lange
What one art form has most enhanced my writing?
Photography. Hands down.
What makes photography such a great sibling to our poems and prose? What can we learn through photography that will inform our writing for the better?
Try this Prompt!
List two subjects you photograph and/or write about repeatedly. Describe this object, person, or place in 150 words. Then list two reasons why you repeatedly revisit this subject. What about this subject might you see from a new angle or describe with new words? What do you think these subjects symbolize in your current life or the life you'd like to lead in the future? What qualities do they represent about you as an individual artist? Break out your camera and take a photo of this subject in a way or from an angle you've never thought about before now.
Interested in a class that combines photography and writing? Click the link below.
Instructor: Melanie Faith
Workshop Length: 4 Weeks
Class Dates: Friday, March 9, 2018 - Friday, April 6, 2018
Cost: $155, which includes e-mail critique and positive feedback on student writing, and access to a private group for student interactions.
Limit: 10 Students
Description: "Fiction, like dreams, exists in images... Fiction must exist in images, not abstractions," wrote John Dufresne. Indeed, the ability to develop imagery is important in all forms of writing, from poetry to essays and all sorts of descriptive writing. The art of photography, an evocative visual art, frequently helps authors hone our image-seeking and development skills. There won't be technical jargon of F-stops or aperture priority in this course and you are free to use any form of camera you already own and love--from camera phone to digital, DSLR to Lomo, instamatic, you name it; this class is about cracking open the everyday extraordinary, about the kind of seeing and focusing on detail that will enhance your writing and spark ideas for months to come.
In this four-week workshop, we'll take a daily photo-taking prompt for a spin, post our response, and describe what inspired each photo at our class group. During the second week, you will begin a piece based on one of the photos you've taken that you will share (in part as an excerpt or in full, up to you) with the class during our fourth week. Handouts on topics covered will include: Truthiness: Adding Layers to Your Art with Art; The Genesis and Development of Imagery: Example Sheet of Published Work; Submitting Your Work to Literary Magazines & Other Venues Looking for Photos: Cover Letter Tips; Photographic Resources to Check Out!; Tips for Writing about [Our] Art; How to Match Your Photographic Style to your Writing Style; Ekphrasis and You: Writing in Tandem with the Visual Arts; and Tips for Writing Fabulous Writer/Artist Bios.
There will be a private group for students to discuss our creative process and share daily responses to each prompt and for sharing of literary resources, such as markets and quotations about the image-making process.
My craft essay about editing essays was published through Women on Writing today. Catch some cool tips, below. :)
Artfully Editing Your Personal Essays
by Melanie Faith
Ah, the spark of inspiration--the keys clacking, the ideas flowing, the wind at your back! Shortly, however, the initial draft is finished, and it's time to begin the more arduous editing journey. Take heart...and these tips to sculpt your personal essay:
A bit of creative structuring may take a piece to an exciting new level. In Crafting The Personal Essay, Dinty W. Moore notes: "While most of my nonfiction writing follows a pretty traditional path, I have also composed essays that mimic the form of a coroner's report, a made-for-television movie script, and a Zen koan. One of my favorite experiments, 'Son of Mr. Green Jeans: An Essay of Fatherhood, Alphabetically Arranged' borrows a form known as abecedarium from the world of poetry." Consider unique subject headings or organizational methods. Poem titles, favorite thematic quotations, place names, even times of the day may all structure an essay into an intriguing mosaic.
Time, Time, Time
Although writing nonfiction, that doesn't mean that a writer must adhere strictly to chronological order. Consider flashbacks and flash forwards, mixing chronological time with the more sophisticated timing of personal epiphanies and hard lessons well-learned.
A writer may include many other "characters" within the piece--siblings, neighbors, exes and friends--but the central moments of change must occur for the speaker. Readers want to discover the aha! moment via the first-person narrator; she is the one readers root for and identify with most strongly. Edit or omit sections where discovery takes place through or for another person. An essay will be stronger for narrowing the focus.
"You don't Say!"
Dialogue can be a great tool for compression. Are there whole rambling sections describing setting, clothing, or personality that could be expressed more succinctly in a tart remark or an aside? In Naked, Drunk, and Writing, Adair Lara advises, "Dialogue is very readable, makes writing move fast, and is the fastest way to reveal character...Keep dialogue short and punchy. We're not allowed to say much before we're interrupted by others or something else is going on." Characterizations are strengthened by lopping off background fluff. A short interchange between speaker and friend can easily demonstrate more complex conflict. Lara further advises, "Dialogue gets interesting when there's subtext: what characters are saying between the lines." Trust that your readers will intuit much from less.
Edit details that don't showcase theme(s).
While interesting, does this portion contribute to the whole piece? Ask yourself: would a reader who had not experienced this person/event find a meaningful connection with the rest of the essay?
Set it aside. Then trust your gut.
When writing truth, a writer's emotional connection to the material can cloud editorial judgment. Take breaks of days or even weeks to let the material cool. With the passage of time, an essayist often finds the courage and perspective to hit the backspace key.
Published today (12/12/17) at Women on Writing's awesome blog! Enjoy.
photo by: Danielle MacInnes